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Black Panther 2 will still shoot in Georgia; the making of Synchronic; Oscar show producer Steven Soderbergh unmasks some plans. Plus: Shang-Chi trailer.
The Guccis have some House of Gucci complaints; Mads Mikkelsen joins Indiana Jones 5; Tribeca’s first film announced; Pete Davidson as Joey Ramone.
“CamperForce,” based on the same book as Nomadland, follows the seniors who live in RVs and work seasonally in Amazon warehouses.
A new incubator wants to solve the problem of filmmakers not getting paid; an alternate timelinewhere Palm Springs is an Oscar contender.
The Water Man, the directorial debut from actor-producer David Oyelowo, takes its cues from the 1980s films of Oyelowo’s youth that took kids seriously.
Nomadlandcriticized for not taking on the Amazon Camperforce, an Oscar voter has some real thoughts; Florian Zeller announces his followup to The Father.
The Arclight theaters are closing, but we need the Cinerama Dome to survive; Black Mirror was right about robodogs; Harvey Weinstein is allegedly unwell.
Focus Features will host free screenings of Promising Young Woman for college students, in partnership with RAINN and Campus Circle.
A Will Smith production exits Georgia; Chloé Zhao and Nomadland keep winning; does Anthony Hopkins have a shot at another Oscar for The Father?
The director of Armie Hammer’s latest film describes what that’s like; a special announcement from Dasha Nekrasova; the Avengers want your California money.
Moffie, a story of apartheid-era South Africa, has been praised for apparent references to Full Metal Jacket and the volleyball scene in Top Gun.
Armie Hammer stars in Crisis, which came out just after the accusations against him. Director Nicholas Jarecki told Bret Easton Ellis how it hurt the film.
A new doc examines the Isabella Stewart Gardner art heist; DGA takes a stand on Georgia; R.I.P Twin Peaks actor Walter Olkewicz.
When we first meet 6-year-old Abeer Otham Thaneb, one of the two main children portrayed in the new documentary Hunger Ward, she weighs 15 pounds.
Aaron Sorkin on the advice he received from David Fincher; what happened to “White Boy Rick” after the movie White Boy Rick; good COVID-19 news.
The Falcon and the Winter Solider and HBO’s Confederate share a key creative. But one is praised for its handling of race, and the other reviled.
Bill Murray says his schtick is harder than it looks; Ken Burns isn’t reading your tweets; great resources to understand the Georgia voting law.
Ken Burns is well aware that the subject of his latest documentary, Hemingway, would be judged harshly in today’s social media.
Netflix wins big at the SAG Awards; Godzilla vs. Kong make a box office weekend look almost normal; new trailers for Loki and Black Widow.
Godzilla vs. Kong director Adam Wingard says he wants his sequel to the 1997 John Woo film Face/Off to feel “like a lost John Woo film”
New Jersey hopes to poach Georgia productions; Ava DuVernay’s DC Film New Gods is dead; Steven Yeun may join Jordan Peele’s latest.
Production designer Don Burt’s biggest challenge in David Fincher’s Mank was recreating the opulent home of William Randolph Hearst.
David Fincher tells us that despite his reputation as a perfectionist, he doesn’t seek perfection at all — and in fact tries to avoid it.
Production designer Don Burt’s biggest challenge in David Fincher’s Mank was recreating the opulent home of William Randolph Hearst.
