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From Argento to Leone: Hélène Cattet and Bruno Forzani Dissect the Genre Influences of Let the Corpses Tan
As Hélène Cattet and Bruno Forzani continue to refine the giallo-inflected post-modern aesthetic they first explored in their 2009 debut feature Amer, the married... -
Exclusive: Explore Postmodern Genre Moviemaking With Sebastian Gutierrez’s Visceral Elizabeth Harvest (Video)
It’s like they always say: if your marriage isn’t going the way you planned, try to spice things up. Maybe have some... -
Swimming With the Stream: Entertainment Lawyer Lisa Callif on Creating Content in the Digital Era
Content creators in the digital era have it pretty good. You can create content on a shoestring budget–you can literally pick up... -
Exclusive: Boogie Woogie to Ari Gold’s Musically-Inclined Nostalgic Drama The Song of Sway Lake
A valuable jazz record incites a romantic adventure in the ripples of a nostalgic lakeside community. In the swings and sways of... -
On Greta Garbo’s Greatness: An Appreciation of the Silent Icon’s Sound Star Turn in Queen Christina
“Spoils, glory, flags and trumpets! What is behind these high-sounding words? Death and destruction, triumphals of crippled men, Sweden victorious in a...
Guide 2019
Summer 2018
Spring 2018
25th Anniversary
Guide 2018
Year in MovieMaker
Inside the Issue: Acting
Sydney on the Map: To Land Breakout Roles, Sydney Sweeney Draws Her Own Maps of the Characters She Inhabits
A reverent initiate of a patriarchal regime; a disturbed young psychiatric hospital ward; a sexually questioning teen with a flair for the dramatic; a mysterious denizen...1Inside the Issue: Directing
Think Like A Photographer: Generation Wealth’s Lauren Greenfield Shares How Still Techniques Make Better Movies
The biggest change I experienced when I went from making pictures to making films was the sense of an arc—of creating a story over time, and...Inside the Issue: How To
How They Did It: Casting Unknowns Was Key to Finding the Laughs and Lived-In Feel of Bo Burnham’s Eighth Grade
Before I directed my first film, Eighth Grade, I had heard that 90 percent of directing is casting. I’m sure there are other directors who weigh...2