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Go Where the Story Takes You: How the Moviemakers Behind The Advocates Shaped Their Documentary
In 2015 at a café with my friend George Haas, a Buddhist, a panhandler approached us to ask for money. I responded... -
Book Review: Ad Nauseam is a Charming Trip Through Curated ’80s Horror Newsprint Ads
Like your favorite fright flick marathon, Michael Gingold’s Ad Nauseam: Newsprint Nightmares from the 1980s is a nostalgic trip through ’80s horror. The frightful... -
Stayin’ Alive: What Keeps You Alive‘s Colin Minihan and Brittany Allen on Surviving a Career Wearing Multiple Hats
Colin Minihan and Brittany Allen are no strangers to multitasking. Now on the road with What Keeps You Alive, the Canadian duo... -
From Argento to Leone: Hélène Cattet and Bruno Forzani Dissect the Genre Influences of Let the Corpses Tan
As Hélène Cattet and Bruno Forzani continue to refine the giallo-inflected post-modern aesthetic they first explored in their 2009 debut feature Amer, the married... -
Exclusive: Explore Postmodern Genre Moviemaking With Sebastian Gutierrez’s Visceral Elizabeth Harvest (Video)
It’s like they always say: if your marriage isn’t going the way you planned, try to spice things up. Maybe have some...
Winter 2019
Guide 2019
Summer 2018
Spring 2018
25th Anniversary
Year in MovieMaker
Inside the Issue: Acting
Things I’ve Learned as a Moviemaker: Mads Mikkelsen
From Star Wars to Marvel, from prestige TV (Hannibal) to high-profile Oscar contenders (At Eternity’s Gate), Mads Mikkelsen can be seen stretching his dramatic skills across the board these...Inside the Issue: Directing
The 2019 MovieMaker Sundance Survey: Eleven Sundance-Selected Films, and Their Mountain-Bound Makers
The 35th Sundance Film Festival received a record-breaking 14,000-plus submissions, with 4,000-plus feature-length films among them. Of the 112 features selected, 45 of their makers were first-timers. The fest’s...1Inside the Issue: How To
Breaking and Entering, Part One: How To Shoot Down Self-Doubt and Pay the Rent While Making It In the Film Industry
Becoming a moviemaker seemed like an impossibly ambitious goal when I was growing up. I was living in Brazil, watching bootleg copies of David Cronenberg films and, with...