Toronto, Canada / September 2019 / tiff.net
Programmer Peter Kuplowsky doubled down on big-ticket attractions for Midnight Madness 2018, securing world premieres of the new Halloween and The Predator. Nonetheless, the lifeblood of this section, which marks its 30th anniversary this year, continues to be smaller films deserving of wider exposure, like The Wind by Emma Tammi and Diamantino by Gabriel Abrantes and Daniel Schmidt, respectively making their world and North American premieres. Even the littlest films feel big when shown at TIFF: “Attending a Midnight Madness screening is like experiencing a film festival and a rock concert at the same time,” says a panelist. “The Ryerson Theatre seats over 1,200 guests, so imagine the intensity of loud music playing, beach balls flying, and roaring fans cheering even before a film begins.”
Mary Roberts, co-director of Quiet on Set: The Dark Side of Kids TV , knew…
Stories about a beloved sex-ed teacher and a secret boyfriend who foils his girlfriend's mother's…
Anthony Hopkins plays the fearful King Herod the Great and newcomer Noa Cohen plays the…
Indigo Girls Amy Ray and Emily Saliers said yes when documentarian Alexandria Bombach asked if…
These old movies of the 1960s easily stand the test of time.
Greta Gerwig scored a global hit with Barbie, but Todd Haynes was the first to…