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Jockey co-writers Greg Kwedar and Clint Bentley have worked together for 10 years. Here they explore what goes into a…
Scary of Sixty-First editor Sophie Corra says "We’re living in a time where most movies operate under a new, self-imposed…
Power of the Dog writer-director Jane Campion and DP Ari Wegner worked together one-on-one for a full month near the…
King Richard director Reinaldo Marcus Green and editor Pamela Martin on experimenting in the edit, finding the opening sequence and…
This exclusive book excerpt from David Fincher: Mind Games, by Adam Nayman, explores how creative Zodiac casting deepened a mystery.
Our guest editor, Passing writer-director Rebecca Hall explores the screenwriting, development, production, post-production and distribution of her latest
When Rebecca Hall moved from acting to writing/directing with Passing, she brought her observations from years on set with her…
The Beta Test co-director Jim Cummings says to become your own studio and distributor, because the film industry may not…
Jon Bardin, the head of creative at Story Syndicate and producer of Fauci and Becoming Cousteau offers his advice on…
Oscar-winner John Ridley returns with Needle in a Timestack, a sci-fi adaptation starring Leslie Odom Jr. and Orlando Bloom, that…
Two trips to Fårö island inspired Mia Hansen-Løve and her latest Bergman Island, which stars Vicky Krieps and Tim Roth…
Valdimir Jóhannsson and Sjón developed Lamb for a decade, never compromising their vision of a quiet horror film where the…
Mass writer-director Fran Kranz relied on heavy research and acting exercises with himself to write the school-shooting drama.
Titane director Julia Ducournau and DP Ruben Impens shot the film's impressive car show "oner" on the first day of…