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The Northman DP Jarin Blaschke explains how the Slav village raid sequence was achieved in a series of "oners" or…
Power of the Dog writer-director Jane Campion and DP Ari Wegner worked together one-on-one for a full month near the…
To shoot a scene in The Girlfriend Experience, when Iris (Julia Goldani Telles) meets her AI double, the production used…
Undine cinematographer Hans Fromm on shooting the film's underwater sequences and how that world is alluded to early with a…
Cinematographer James Laxton remembers his first collaborations with director Barry Jenkins at Florida State University’s film program almost two decades
How Pieces of a Woman cinematographer, Benjamin Loeb, staged the film’s devastating birth sequence starring Vanessa Kirby and Shia LeBeouf.
To make Claire Denis’ science-fiction saga High Life in multiple formats, DP Yorick Le Saux mixed meticulous prep with moments…
Birds of Passage DP David Gallego breaks down the camerawork and color palette of Colombia’s Best Foreign Language Film Oscar…
Quarries and chainsaws and tigers, oh my! Cinematographer Benjamin Loeb breaks down how he lensed Panos Cosmatos' trippy Mandy.
Shooting Porto on film rather than digital was essential because film has a way of distancing images from the present,…
To shoot Woodshock's characters' relationship to nature as a jarring experience, the film's cinematographer Peter Flinckenberg did all of his…
The shooting schedule for Doug Liman’s The Wall was very short—14 days—and the location and conditions were not very forgiving,…
I’m beguiled by that cinematic U.S.A.—exotic, muscular. Looking back to those films, that’s what I hope is the blood heritage…
With Live Cargo, our vision was to create a hypnotic, eerie, mystical feeling film, capturing the timeless surreal atmosphere of…
DP Hélène Louvart off-set Dark Night's mostly naturalistic look with hyper-stylized lighting techniques. The result is a neon-tinted nightmare scape.
Following the life of Chiron, a young man coming of age in Miami during the “War on Drugs,” Moonlight is…
I have made several movies with director Drake Doremus, including Like Crazy and Breathe In. Equals was going to require…
A Beautiful Planet is the seventh IMAX film shot by astronauts, and continues a three-decade long association with NASA that…
In A Bigger Splash, the camera is a barometer or thermometer, an instrument checking the temperature of characters' emotional status.
When director Ciro Guerra and producer Cristina Gallego gave me the script for Embrace of the Serpent, I took my time…
Switching genres from faux documentary to cinematic thriller, Sarah Adina Smith explains how she shot Midnight Swim using Blackmagic Design…
“Like magic.” That’s how Ukrainian director Myroslav Slaboshpytskiy describes the intricate, lightning-quick articulations of sign language. It’s also a fitting…