Alfred Hitchcock

Kindred Joe Marcantonio

Kindred Director Joseph Marcantonio on Creating ‘Suspense’ Over the ‘Horrific’

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1917 Birdman Russian Ark Alfred Hitchcock Rope

Watching 1917 in 2020, When Our Lives Are More Edited Than Ever

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Story Beats Plot Beats Screenwriting WilliamDickerson Detour

How to Develop the Story Beats in Your Screenplay

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Going to Extremes: To Create Horror That Shatters the Senses, Be Sensitive to Emotional Extremity

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Book Review: Hitchcock’s Heroines

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Alfred Hitchcock’s Notorious: How to Create Drama from Internal Conflict and Ironic Suspense

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Blow by Blow: How Francois Truffaut and His New Wave Contemporaries Deconstructed Filmmaking

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Suspense with a Camera: Jeffrey Michael Bays Talks Building Suspense with Oscar-nominated Editor Saar Klein

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Why Over-Prep? It’s the Key to Not Taking Shots In the Dark, Says the Director of A Violent Man

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TV Training Ground: Watch the Small Screen Television Work That Shaped Robert Altman Into a Big Screen Auteur (Video)

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“Wild Animals Are Infinitely Fascinating:” Hitchcock Star Tippi Hedren Talks The Birds, Lions and Tigers

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First Draft: Is it Surprise, or is it Suspense?

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Quiz: Can You Guess the Film From the Saul Bass Title Sequence?

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Berlin, Revisited: Tour the City’s Famous Film Locations on This Interactive Map

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MovieMaker’s Guide to Making Horror Movies: Expanded eBook Edition Now Available

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Things I’ve Learned: Peter Bogdanovich

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The Film’s the Thing: How WTC View Went From Stage to Screen

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Things I’ve Learned: Brian De Palma’s Golden Rules of Shooting a Sex Scene

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