All posts tagged "Jake Gyllenhaal"
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Annual Lists
The Best Places to Live and Work as a Moviemaker 2019: Small Cities and Towns
January 17, 2019“The film business as we know it is never going back to Los Angeles,” director Joe...
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MM Guide 2019
No Guts, No Story: Find Your Screenplay’s Soul By Trusting Your Instincts and Your Allies
October 18, 2018I’ve wanted to make films for a long time, but my problem was always the ability...
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MM Guide 2019
Kindling Kinship: To Write an Adaptation, Build Bonds Between Your Creative Partners and Your Source Material
October 15, 2018The process of adaptation is always different depending on what source material you’re working with, but...
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Screenwriting
Finding the Human: Dan Gilroy Talks Script Formatting and Writing Roman J. Israel, Esq. on Spec for Denzel Washington
November 28, 2017Dan Gilroy’s newest movie, Roman J. Israel, Esq. stars Denzel Washington as a legal savant—a civil...
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News
ICYMI: The Best of November 2016 on Moviemaker.com
November 30, 2016Break out of that Thanksgiving food coma and join us as we wrap up November 2016...
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Cinematography
“Americana With a Hint of Jaundice”: DP Seamus McGarvey Talks Style, Mood of Nocturnal Animals
November 17, 2016Tom Ford, the director, writer and producer of Nocturnal Animals, turned up at a Bafta screening...
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Acting
Appetite for Deconstruction: Jean-Marc Vallée and Jake Gyllenhaal Talk Demolition
April 11, 2016Jean-Marc Vallée can’t slow down. The Montreal-born director’s feverish pace has resulted in three features in...
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Acting
Kings of the Underworld: Denis Villeneuve, Benicio Del Toro and Emily Blunt on Sicario
October 10, 2015“Directing is more the art of listening than of being a dictator,” says Denis Villeneuve, articulating...
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Fall 2014
MovieMaker’s Fall 2014 Issue: Now On Stands!
November 25, 2014MovieMaker Magazine’s 111th issue, Fall 2014, hits newsstands around the U.S. and Canada today. The issue...
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Directing
Richard Kelly’s Second Chance: The Director Reflects on How Donnie Darko Became a Cult Hit
June 22, 2004Movies that barely net a half million at the box office are generally written off as...
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