Halloween

John Carpenter on Halloween Ends, Music v. Movies, and a Thing Sequel

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Jamie Lee Curtis Signs Contract Promising No More Halloween Films on Kimmel

Jamie Lee Curtis Signs Contract on Kimmel Promising No More Halloween Films

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Boba Fett trailer

Boba Fett Trailer; Box Office Rebound; Vanilla Ice; Wolf Talk

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John Carpenter Talks Remakes and the “Insane Business” of Horror Moviemaking

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Ithaca Fantastik Film Festival 2018: Boundary-Pushing International Fare Thrives Amid Foliage of Upstate New York

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Looks That Kill: Eleven Horror DPs Reveal the Tricks and Tech Behind the Year’s Scariest Shooting Schemes

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Fantastic Fest 2018: Peak Programming and Premieres and a Self-Reflective Tone Shape the Austin Hotspot’s 13th Year

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Keep It Simple, Keep It Relentless: Halloween‘s David Gordon Green and Danny McBride On Horror Screenwriting

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Book Review: Ad Nauseam is a Charming Trip Through Curated ’80s Horror Newsprint Ads

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Festival Beat: Beyond Fest Founders On Building A Genre Festival From Goblin to Cronenberg

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2018 Beyond Fest Preview: Five Screenings to Catch at Los Angeles’ Expertly Programmed Genre Festival

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Festival Spotlight: HorrorHound Director Jason Hignite on the Genre Convention’s Evolution into Adding a Film Festival

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Snapshots of a Set: The Importance of Dedicated Unit Still Photography for Your Production

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Scaring Up Funds: How to Acquire Investors When Your Movie’s in Horror, the Most Profitable Genre of Them All

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ICYMI: The Best of October 2016 on Moviemaker.com

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The End of Your Trope: Three Gendered Horror Conventions and Ideas for Putting Them to Death

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The Evils of Franchising Your Horror Film: Should You Attempt World Domination?

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10 Classic Films and What You Can Steal From Them: Courtesy of The Wolfpack

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How They Did It: Inserting Cuts into a Oner in Don’t Look Back

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by Bryan Reesman
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Halloween Retro-SPOOK-tive: Drew Goddard – The Genre Slayer
by Bryan Reesman

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Cheap Effects: Ways to Pull Off Impressive FX in a Pinch

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Halloween Retro-SPOOK-tive: Navigating the Labyrinth of Room 237

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