Arri Alexa

March 15, 2018

How They Did It: Juggling Three Hats to Make the 12-Day, Five-City Feature Toss It

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January 30, 2018

How They Did It: 24 Set-Ups + 12 Hours A Day x Three Days = A 22-Minute Short, “Kill the Light”

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November 27, 2017

Alternative Gear Sources: Look Beyond the Rental House For Budget-Conscious Gear Shopping 

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September 18, 2017

How They Did It: Feature Film Stuck is a Musical Set Entirely in an NYC Subway Train

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June 16, 2017

How Far Would You Go for the Perfect Lenses? For the Director of Midnighters, These Were Worth the Effort

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June 2, 2017

Vocal Expression: Zoe Lister-Jones on Making Her Spirited Feature Debut, Band Aid, With an All-Female Crew

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April 18, 2017

Light My Fire: Free Fire’s DP on How Comprehensive Lighting Let Ben Wheatley’s Shoot-Out Flick Go Full Throttle

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March 29, 2017

Mixed Media: How Documentary God Knows Where I Am Used 35mm, 16mm, Super-16 and Digital For Its Haunting Story

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November 30, 2016

From Storyboard to Screen: Director Soham Mehta Breaks Down the Shot Design of Run the Tide

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October 18, 2016

Eye Piece: Moonlight DP James Laxton Illuminates Miami’s Bold, Blue, Beautiful Darkness

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October 5, 2016

The Birth of a Nation’s Biggest Lesson for First-Time Directors? Surround Yourself with Experienced Crew

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September 22, 2016

Capturing The Free World: A Quick Chat With Cinematographer Bérénice “Bear” Eveno

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September 2, 2016

Checking Your Privilege: White Girl Director Elizabeth Wood Navigates Sex, Drugs and Racial Stereotypes

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July 11, 2016

Eye Piece: How Dystopian Romance Equals Was Lit Entirely by Luminescent LEDs

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April 15, 2016

Shooting the Green Room: Full Interview with DP Sean Porter

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February 12, 2016

Family on the Brink of Disaster: Theo Rossi and Mark Kemble Bring Audiences Some Bad Hurt

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January 13, 2016

“This Camera Thinks Exactly Like Me:” Cinematographer Yves Bélanger at the Peak of His Career

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December 11, 2015

Under the Influence: Hank Bedford on Dixieland and William Eggleston

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November 13, 2015

A Conversation with Convention: Rick Alverson’s Entertainment Demands a Better Movie-Watcher

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November 11, 2015

Facing the Music: The Visual Melody of Josh Mond’s James White

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October 13, 2015

Restless Heart, Roving Camera: Cary Fukunaga Marries Electric Passion and Technique in Beasts of No Nation

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August 12, 2015

Practical Shooting Lessons for All Occasions: Tips from Alex Buono’s Visual Storytelling 2

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July 21, 2015

Film vs. Digital: Is the Expense of Shooting on Film a Misconception?

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June 23, 2015

Sight, Sound and Fury: The Tribe Gives New Meaning to “Must-See”

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