All posts by John Albrecht
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Sharp Shooting: Assassin’s Creed’s Director and DP Reveal the Fundamentals of Effective Cinematography
If your list of top moviemaking concerns places items such as “performance” and “on-set rapport” above “camera choice” and “format,” you might... -
Against the Mass Production of Cinema: an Interview with Cinematographer Christopher Doyle
Christopher Doyle is both reverential and contrary. After three decades, Doyle’s body of work is famously distinct, characterized by images that are... -
“This Camera Thinks Exactly Like Me:” Cinematographer Yves Bélanger at the Peak of His Career
Yves Bélanger belongs to a coterie of French-Canadian filmmakers who’ve caught Hollywood’s attention in recent years. Joined by directors Jean-Marc Vallée and... -
"Lenses are the Protein You Choose When You’re Cooking:" an Interview with Matthew Libatique
You could say that cinematographer Matthew Libatique is having a banner year, with F. Gary Gray’s N.W.A. biopic, Straight Outta Compton, and...
Summer 2019
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Guide 2019
Summer 2018
Year in MovieMaker
Inside the Issue: Acting
Things I’ve Learned as a Moviemaker: Richard Dreyfuss
American Graffiti, Jaws, Close Encounters of the Third Kind, Stand By Me, Mr. Holland’s Opus… even while reading like a what’s what of cinema, those titles...Inside the Issue: Directing
Cold Piece of Work: Richard Linklater Braves Greenland Hurricanes for Where’d You Go, Bernadette
Richard Linklater’s Where’d You Go, Bernadette opens with the answer to its titular question. In an impressively executed overhead shot, the camera gazes down onto placid...Inside the Issue: How To
How They Did It: The Farewell Writer-Director Lulu Wang Shares Secrets to Turning Your Life Story into a Memoir Movie
The week before production started on The Farewell—my sophomore feature about a young woman (Billi, played by Awkwafina) and her family’s attempts to keep their grandmother’s...