All posts by Jeff Meyers
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Shifting Sands: Director Brad Anderson on Making Beirut, and Managing a Career of Genre and Budget-Hopping
Despite a 22-year track record, director Brad Anderson has had what some might consider a stealth career. Outside of indie film circles—where... -
Sweet Country, Sour History, Great Moviemaking: Director Warwick Thornton on Sweet Country
“Australia was built on free labour. 180 years of free labour,” says director Warwick Thornton. He is talking, of course, about the... -
“I Want This Weirdness In My Life”: Aubrey Plaza, Craig Robinson, and More On An Evening With Beverly Luff Linn
“I remember my agent told me Blue Velvet was panned by critics when it first came out and people hated it, they... -
The Intimate Epic: Directors Alex and Andrew Smith on the Quiet Intensity of Father-Son Drama Walking Out
Montana-raised twin brothers Alex and Andrew Smith have emerged as the Big Sky Country’s most ambitious indie filmmakers by writing and directing... -
Making a Living by Mixing Media: How to Make the Leap From Directing Features to Directing Television
Imagine a world where you earn a steady, livable paycheck doing what you love—directing—and little else. That picture, sadly, doesn’t exactly fit... -
In Total Control of His Out of Control: With Colossal, Nacho Vigalondo Breaks Into Major League Moviemaking
Nacho Vigalondo is constantly under self-review—both as an artist and, if movies are a window into a director’s psyche, as a man.... -
At Home Behind the Camera: Actor-Turned-Director Macon Blair Talks Making I Don’t Feel At Home In This World Anymore
Macon Blair is no stranger to Sundance. The actor is the childhood friend of, and a long-time collaborator with, writer-director Jeremy Saulnier,... -
MovieMaker Minute: Walking Out’s Alex and Andrew Smith on How Directors Should Keep Calm On Set
Our MovieMaker Minute series of videos are brief little nuggets of inspiration and advice from some of our favorite filmmakers. Alex and... -
Defining Complete Unknown: Joshua Marston on Writing Shape-Shifting Characters, Directing a Contained Set
Joshua Marston’s latest film, Complete Unknown, is an exploration of what it means to be a filmmaker, a film actor or even... -
The Lay of the VR Landscape: How Does a Moviemaker Approach Virtual Reality – Without Holding it Back?
In case you didn’t notice, virtual reality (VR) content has graduated from sideshow curiosity to the center ring. Sundance 2016’s New Frontiers...
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Inside the Issue: Acting
Sydney on the Map: To Land Breakout Roles, Sydney Sweeney Draws Her Own Maps of the Characters She Inhabits
A reverent initiate of a patriarchal regime; a disturbed young psychiatric hospital ward; a sexually questioning teen with a flair for the dramatic; a mysterious denizen...Inside the Issue: Directing
Think Like A Photographer: Generation Wealth’s Lauren Greenfield Shares How Still Techniques Make Better Movies
The biggest change I experienced when I went from making pictures to making films was the sense of an arc—of creating a story over time, and...Inside the Issue: How To
How They Did It: Casting Unknowns Was Key to Finding the Laughs and Lived-In Feel of Bo Burnham’s Eighth Grade
Before I directed my first film, Eighth Grade, I had heard that 90 percent of directing is casting. I’m sure there are other directors who weigh...1