All posts by Josh Ralske
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“We Don’t Have Time to Test Our Lenses. We’ve Gotta Shoot Film”: Kelly Reichardt Talks Making Certain Women
Kelly Reichardt’s Certain Women is a departure for her in some ways. It’s the first feature she’s worked on without a writing... -
Breaking Down the News: In Antonio Campos’ Christine, Rebecca Hall Find the Darkness That She’s Been Looking For
The late Christine Chubbuck is more famous than one might expect of a local Sarasota journalist who focused on relatively mundane issues... -
Welcome to the Doghouse: With Wiener-Dog, the Idiosyncratic Todd Solondz is Sticking to Old Tricks
Todd Solondz is a polarizing moviemaker, to be sure, but no one can deny that the man has a distinctive style. His... -
Mother Monster: Goodnight Mommy Takes New Delight in the Classic Evil Mom Trope
To watch Austrian duo Severin Fiala and Veronika Franz’s Goodnight Mommy is to be subject to an emotional resonance and a merciless... -
Restless Heart, Roving Camera: Cary Fukunaga Marries Electric Passion and Technique in Beasts of No Nation
Two years ago, only cinephiles knew who Cary Joji Fukunaga was. He was the Oakland-born writer-director of gritty, modestly budgeted films, one... -
Dark Horse: Interview with Jesse Eisenberg on Night Moves
As the lead environmental terrorist in Night Moves, Jesse Eisenberg takes it very seriously. John Ralske, MovieMaker Magazine (MM): This seems like... -
Capturing the Night: DP Christopher Blauvelt on Night Moves
Christopher Blauvelt is a rising star behind the camera, as cinematographer for 2013’s The Bling Ring and Max Rose, and this year’s... -
Jia Zhangke Exclusive: The renowned director talks about A Touch of Sin
At this year’s New York Film Festival, internationally renowned filmmaker Jia Zhangke showed his new film, A Touch of Sin, his first... -
2013 Los Angeles Film Festival: 10 Premieres to Catch at LAFF
This year’s Los Angeles Film Festival (LAFF) offers a uniquely broad-ranging view of contemporary cinema. Aside from their World Premiere-heavy Documentary and... -
If Only I Could Cannes:
Festival de Cannes is upon us. Like me, you wish you were there. Or unlike me, you are there, which raises the...
9 Cannes premieres to look out for (that I won’t get to see till they come to New York)
Guide 2019
Summer 2018
Spring 2018
25th Anniversary
Guide 2018
Year in MovieMaker
Inside the Issue: Acting
Sydney on the Map: To Land Breakout Roles, Sydney Sweeney Draws Her Own Maps of the Characters She Inhabits
A reverent initiate of a patriarchal regime; a disturbed young psychiatric hospital ward; a sexually questioning teen with a flair for the dramatic; a mysterious denizen...1Inside the Issue: Directing
Think Like A Photographer: Generation Wealth’s Lauren Greenfield Shares How Still Techniques Make Better Movies
The biggest change I experienced when I went from making pictures to making films was the sense of an arc—of creating a story over time, and...Inside the Issue: How To
How They Did It: Casting Unknowns Was Key to Finding the Laughs and Lived-In Feel of Bo Burnham’s Eighth Grade
Before I directed my first film, Eighth Grade, I had heard that 90 percent of directing is casting. I’m sure there are other directors who weigh...2