16mm

the academy museum

The Academy Museum Celebrates Film’s History — and Survival

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The Card Counter Paul Schrader

Paul Schrader Says Shooting The Card Counter Digitally Helped Him Retain Final Cut

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Strawberry Mansion Kentucker Audley Albert Birney 16mm

Strawberry Mansion Used a 16mm Film-Out, Meaning It Shot Digitally and Transferred to Film Stock in Post

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Little Women Marriage Story

Little Women, Uncut Gems, Marriage Story, and 6 Other New Movies Shot on Film

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How They Did It: Director Joanna Hogg Drew from her Memory to Craft the Sets for The Souvenir

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Shooting on Film in the Digital Age: What You Need to Know If You’re Still Taking Stock in Film Stock

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Singapore Plays Itself: In Sandi Tan’s Shirkers, a Nation (and its Daughter) Come of Age Onscreen

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Looks That Kill: DP Haris Zambarloukos Talks Shooting Murder On the Orient Express in Glorious 65MM

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“Darkness on the Beach”: Writer-Director Eliza Hittman Chose 16mm to Help Create the Eerie New York of Beach Rats

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Threads of Melancholy: In Ensemble Piece Person to Person, Dustin Guy Defa Proves a Tonal Prowess

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Mixed Media: How Documentary God Knows Where I Am Used 35mm, 16mm, Super-16 and Digital For Its Haunting Story

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Foreign Contenders: Sparrows Explores Modern Icelandic Masculinity on Beautiful 16mm

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Foreign Contenders: Finland’s The Happiest Day in the Life of Olli Maki Revives 16mm Reversal Film

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Need Funding? Sell Christmas Trees: Charles Poekel Lived Christmas, Again Before He Shot It (on Super-16)

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Eye Piece: Alex Ross Perry’s Queen of Earth Wages Stare Wars in Super 16

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Film vs. Digital: Is the Expense of Shooting on Film a Misconception?

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