Eye Piece

Strange Darling Giovanni Ribisi

Giovanni Ribisi on Becoming a Cinematographer and Shooting Strange Darling

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Eye Piece: DP Yorick Le Saux Mixed Digital With 35MM and Heavy Prep With On-Set Improvisation To Shoot High Life

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Eye Piece: Spherical Lenses and Calculated Color Choices Allowed the Visuals of Birds of Passage to Take Flight

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Mandy Panos Cosmatos Benjamin Loeb

Eye Piece: How Mandy DP Benjamin Loeb Custom-Lit a Quarry, Custom-Fit a Chemistry Lab Set, and Shot a Chainsaw Fight and an Actual Tiger

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Skate Kitchen Shabier Kirchner

Eye Piece: DP Shabier Kirchner Lensed Skate Kitchen on Wheels, But Didn’t Skate Through His Demanding Shoot

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Eye Piece: Porto Used the “Lightest, Most Liberating” Film Cameras to Shoot Its Handheld and Long-Lens Scenes

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Eye Piece: Fredrik Wenzel Battled Uncooperative Technology and a Ticking Clock on the First Day Shooting The Square

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Eye Piece: Mirrors, Neon Signs and Other Lighting Tricks Create Disorientation in DP Peter Flinckenberg’s Woodshock

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Eye Piece: DP Philippe Le Sourd Shoots the Human Textures in Sofia Coppola’s The Beguiled

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Eye Piece: How and Why I Shot My Film The Nude with AJA’s CION 4K Camera

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