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Interviews
Bryan Cranston Goes Feral:
Writer-Director Robin Swicord on Her Strange New Feature,
Wakefield
By
Lauri Donahue
A Different Way of Doing Things:
Orthodox Moviemaker Rama Burshtein on Her Hasidic Rom-Com
The Wedding Plan
By
Paula Schwartz
Symptoms of the Universe:
Sarah Adina Smith’s
Buster’s Mal Heart
Diagnoses the Thinking Behind Conspiracy Theories
By
Carlos Aguilar
She’s Every Woman:
In Julian Rosefeldt’s
Manifesto
, Cate Blanchett Proves It’s All in Her (Interview)
By
Paula Schwartz
Unspoken Invitation:
In Stéphane Brizé’s
A Woman’s Life
, The End of Innocence is Timeless
By
Carlos Aguilar
Comic Timing:
Slack Bay
Continues French Director Bruno Dumont’s Pivot Into Slapstick and Farce
By
Caleb Hammond
America the Strange:
With the
American Gods
TV Adaptation, Neil Gaiman Reenters a World Gone Mad
By
Paula Schwartz
Accessing the Armenian Genocide:
Christian Bale on Tapping Into Historical Suffering For
The Promise
By
Paula Schwartz
Getting With the Program:
Quad Cinema Is the Latest Addition to a Growing Wave of NYC Indie Arthouse Exhibition
By
Max Weinstein
“This Is Not Our Planet Anymore”:
Werner Herzog on Why He Makes Movies From “The Quasi-Perspective of an Alien”
By
Max Weinstein
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