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Quentin Tarantino Once Upon a Time Once Upon a Time... in Hollywood

Why You Shouldn’t Write, Direct, Produce and Edit Your Movie Yourself

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Slamdance Film Festival Red Flags

Slamdance Panelists Tell You How to Avoid 8 Film Festival Red Flags

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Slamdance Film Festival Red Flags

Up Close and Personal With the Slamdance Film Festival

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MovieMaker’s 15 Submission-Worthy Screenwriting Competitions of 2019, Presented by Coverfly

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The Story of Ingrid: What It’s Like to Make a Documentary on a $15K Budget

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Slamdance Film Festival 2018: Park City’s Other Annual Film Fest Dances to its Own Drummer, Busts Some New Moves

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2017 Slamdance Fest Preview: 10 Feature Film Picks From An Appropriately Eccentric Lineup

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How They Did It: Creating the Showstopping "Living Mandala" Shot in Neptune With Composites

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Canada Dreaming: Seasons Change, but Edmonton International Film Festival is Ace Year After Year

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The Pinch-Hitting Playbook: When Misfortune Claimed Its DP Mid-Shoot, An American in Texas Bounced Back

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Fessenden on Festivals: Indie Horror’s Larry Fessenden Reflects on the Fests that Shaped His Career

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Faking It: How Embellishing a Cage-Fight Sequence Brought Glena Closer to Truth

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Park City 2014: 10 Picks From Sundance and Slamdance

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Gaining Festival Momentum: How to Find Success Without Sundance, by Kyle Patrick Alvarez

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by Marc Forster
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Wisdom Wednesday:
Marc Forster’s Seven Golden Rules of Moviemaking
by Marc Forster

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Things I’ve Learned As a Moviemaker: Kevin Smith

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We Make Movies (Better): Your down-and-dirty, first-timers guide to Sundance
by Amanda Lippert and Élan O’Connor

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Celebrating the Flavors of Filmmaking at Slamdance

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Sean Baker and Shih-Ching Tsou Order $3,000 Take Out

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