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Rian Johnson reveals how Poker Face, his new Peacock series starring Natasha Lyonne, plumbs his love for '70s detective. We're…
In I Blame Society, writer-director Gillian Wallace Horvat stars as filmmaker "Gillian" who murders people and films their deaths.
Throughout the process, moviemaker Matthew Porterfield become committed to the idea of using mostly diegetic sound in my films. He's…
On the eve of Alan Rudolph’s first ever retrospective (now playing at NYC's Quad Cinema), Keith Carradine sat down with…
This year the fest seems to take a step further in that regard with strong efforts from auteur favorites, genre…
2017 AFI Fest (November 9-16) director of programming Lane Kneedler comments on fest highlights, including films from Haneke, del Toro,…
Uncomfortable and hilarious, On the Rocks is a striking new independent production with two talented directors, Alex Kavutskiy and Ariel…
In partnership with Creative Screenwriting and ScreenCraft, “First Draft” is a series on everything to do with screenwriting. Plot and character-related exposition in
Watch this brief history of Robert Altman's work as a television director for some insight into how he developed his…
The deceptively simple Punch-Drunk Love packs a formal wallop. Let’s talk about the elements that tie it all together, in…
Take a break from crafting that last-second DIY costume to revisit the best articles of October 2016 on moviemaker.com, collected…
Criterion Crash Course, our series on new Criterion Collection titles, draws moviemaking lessons from Robert Altman's "anti-Western," McCabe & Mrs.…
Though a handful of TV adaptations have triumphed and achieved critical acclaim, many television-to-film adaptations fail miserably.