Editing

sophie corra revisits her edit of the scary of sixty-first

The Scary of Sixty-First Editor Sophie Corra Took Inspiration From Pre-Code Hollywood

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Reinaldo Marcus Green Pamela Martin King Richard

King Richard: How Director Reinaldo Marcus Green and Editor Pamela Martin Avoided Just Another Tennis Movie

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King Richard Will Smith

King Richard Skips a Major Sports Movie Cliché

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Zola Joi McMillon Janicza Bravo

How Zola Editor Joi McMillon and Director Janicza Bravo Brought the Addictive Twitter Thread to the Screen

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MLK/FBI Sam Pollard Laura Tomaselli MLK Martin Luther King Jr.

MLK/FBI Director Sam Pollard and Editor Laura Tomaselli on Building a Fruitful Working Relationship

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Midnight Traveler: a Family’s Phones Document the Refugee Crisis

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Our Time: Carlos Reygadas Discusses His Daily Routine, Thoughts on Relationships, and How Cinema is Like Fishing

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Cannes: With Frankie, Ira Sachs Invites Audiences To Find The Extraordinary In The Ordinary

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Cannes: In His Feature Debut, Ukrainian Director Nairman Aliev Seeks Out A Universal Story With Homeward

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Where The Movie Came to Life: How Editor Bob Murawski Brought The Other Side of the Wind Back from the Dead

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Making the Cut: Breaking Down the Keys to Finding the Most Compatible Editor For Your Feature

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Moonshot Moviemaking: To Cut Outside the Box, Live an Outside-the-Edit-Bay Life and Treasure All Your Footage

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How They Did It: Why Storyboarding was Crucial to Creating the Gothic Big House of The Lodgers

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The Cutting Edge: Tips on Working Better With Your Editor, From the Sundance NEXT FEST 2017 Panel

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The Best Film Schools in the U.S. and Canada 2017: Film Programs to Shape You Into the Next Moviemaking All-Star

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Moonlight Co-Editor Nat Sanders Talks Quitting Your Day Job, Disagreeing With Directors and That Awkward Oscars Moment

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Vegas Upgrade: VEGAS Pro Editing Software Gets a Comprehensive Boost in its 14th Edition

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The Perfect Match (Cut): Why An Extra Set Of Eyes (and Scissors) Could Be The Key To Editing Your Indie

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Basic Training as a Wake-Up Call: Tom Antos’ 2Day Cine School

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Step by Step: End-to-End Editing, Grading and Coloring a Short Film in DaVinci Resolve 12 Studio

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Sound Design as World-Building: How to Create a Believable Universe With Sound

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I Was Thinking Beyoncé: Choosing Film Music, and Understanding the Costs

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The Film You Save May be Your Own: Five Rules for Smooth Post-Production without Going Broke

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Letting Go on the Cutting Room Floor: A Post-Production Conversation Between David Lowery and Shane Carruth

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