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Scary of Sixty-First editor Sophie Corra says "We’re living in a time where most movies operate under a new, self-imposed…
King Richard director Reinaldo Marcus Green and editor Pamela Martin on experimenting in the edit, finding the opening sequence and…
Wondering why there are no sports commentors in King Richard, the new film about tennis pros Venus and Serena Williams'…
Zola editor Joi McMillon on using elements of social media to bring the story of Zola from an infamous Twitter…
MLK/FBI director Sam Pollard and editor Laura Tomaselli on their Do's and Don'ts of a great director-editor collaboration.
"Midnight Traveler," from producers Emelie Coleman Mahdavian and Su Kim, uses families' cell phone video to personalize the refugee crisis
Like when you have a fish wriggling on the hook, moviemaking is about staying calm during moments of great friction,…
Director Ira Sachs has found his greatest inspirations from cinema outside of the US.
Armed with a master’s degree and memberships to the Ukranian and European Film Academies, Nairman Aliev now represents his native…
Bob Murawski discusses editing a final version of The Other Side of the Wind that reflects Orson Welles' intended vision…
What every helmer needs from an editor is "great taste, a sense of timing," and someone who "accentuates the poetry…
"Every piece of footage is important to watch and to catalog for when it comes time to make your selects,…
As a result of directing TV commercials for 15 years, director Brian O'Malley storyboards everything—which came in handy for Gothic…
The Filmmaker Insights panel decoded the inner workings of both parties, director and editor, and how they come together for…
Out of the hundreds of bachelors and masters programs in the U.S. and Canada, we’ve chosen 40 schools that best…
Editor Nat Sanders discusses what he's learned about editing thus far, how he cut a key scene from Moonlight the…
MAGIX released VEGAS Pro 14, the newest edition of the nonlinear editing software, in September 2016, to augment workflow from…
A no-budget indie often demands the director be his or her own editor. The loss of a second pair of…
The Tom Antos 2Day Cine School is an important reminder for one filmmaker.
I am using tools that can enhance the speed and quality of my work, without getting in the way of…
Sound design working at its best seamlessly describes, enhances and elevates the image, giving weight, character and detail to all…
Choosing the right film music and understanding the cost are essential.
The film you save may be your own. Here are five Rules for Smooth Post-Production without Going Broke.
Moviemakers David Lowery and Shane Carruth share a conversation on the dynamics of film editing and weigh the importance of…