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This month, two films that Matthew Libatique shot back-to-back arrive in theaters just a week apart from each other: Spike
Anora cinematography Drew Daniels likes the uncertainty of working with film stock. “It puts a little bit more faith and
Giovanni Ribisi is concerned that I’m watching Strange Darling, his feature debut as a cinematographer, all by myself in his
To make Claire Denis’ science-fiction saga High Life in multiple formats, DP Yorick Le Saux mixed meticulous prep with moments…
Birds of Passage DP David Gallego breaks down the camerawork and color palette of Colombia’s Best Foreign Language Film Oscar…
Quarries and chainsaws and tigers, oh my! Cinematographer Benjamin Loeb breaks down how he lensed Panos Cosmatos' trippy Mandy.
Skate Kitchen cinematographer Shabier Kirchner and crew kicked and pushed the limits of their visuals with board-mounted camerawork.
Shooting Porto on film rather than digital was essential because film has a way of distancing images from the present,…
"The first day of shooting turned out to be one of my worst days on set ever," says The Square…
To shoot Woodshock's characters' relationship to nature as a jarring experience, the film's cinematographer Peter Flinckenberg did all of his…