All posts by Carlos Aguilar
-
“I Dug In My Heels”: Damon Cardasis on Capturing LGBTQ Youth in Saturday Church and Shooting a Scene in 15 Minutes
Equipped with untested knowledge and the earnest belief that a story must be told, a first-time moviemaker venturing into a feature project... -
Foreign Contenders: Ziad Doueiri on Adapting American Courtroom Drama Tropes Into Lebanon’s The Insult
Divisiveness is universal. That ironic truth is the key that allows people to understand and relate to geographically distant conflicts. Similarities carry... -
Foreign Contenders: John Trengove on Surviving the Controversy Surrounding South Africa’s The Wound
Conceived to forge men via traditional practices, the rite of passage in South Africa’s Xhosa community is grounded on the endurance of... -
Foreign Contenders: Ildikó Enyedi Aligns Framing and Sound for the Dreamy Romance in Hungary’s On Body and Soul
Involuntarily stoic and permanently immaculate, but with a diligent willingness to forge bonds with others around her, Mária (Alexandra Borbély) joins a slaughterhouse... -
Foreign Contenders: Fatih Akin Used Distinct Lenses and Sound Techniques for Each Section of Germany’s In the Fade
Segmented into three distinct parts to accommodate the ravaging ebbs and flows of its protagonist’s emotional state in the aftermath of tragedy,... -
A Bird in the Hand: The Journey of Birdboy: The Forgotten Children From Personal Graphic Novel to Hand-Drawn Feature
Adorably macabre and philosophically stimulating, Alberto Vazquez and Pedro Rivero’s Birdboy: The Forgotten Children (known in Spanish as Psiconautas, los niños olvidados)... -
Foreign Contenders: Hafsteinn Gunnar Sigurðsson Confronts Neighborly Conflicts with Under the Tree
Not unlike an alchemist, Icelandic Hafsteinn Gunnar Sigurðsson has mastered the improbable formula to produce amalgamations of universality with specificity. His relatable... -
Foreign Contenders: Andrey Zvyagintsev Breaks Down the Technical Aspects of Shooting Russia’s Melancholic Loveless
Not far removed from the philosophical and ethical inquiries that 19th century literary masters like Tolstoy, Chekhov, and Dostoyevsky debated in their... -
The Official Story: Capturing the Final Words of America’s Most Notorious Criminal
After a year of working on a documentary that investigates the original claims made about Charles Manson’s crimes, mind control, and the... -
The Shape of Water: Del Toro Likes Digital, Octavia Spencer Quits Period Pieces, Guy in the Fish Suit Deserves an Oscar
High on the list of the greatest contributions Mexico has given to the world, Guillermo del Toro’s monster-fueled mind exudes compassion for...
Guide 2019
Summer 2018
Spring 2018
25th Anniversary
Guide 2018
Year in MovieMaker
Inside the Issue: Acting
Sydney on the Map: To Land Breakout Roles, Sydney Sweeney Draws Her Own Maps of the Characters She Inhabits
A reverent initiate of a patriarchal regime; a disturbed young psychiatric hospital ward; a sexually questioning teen with a flair for the dramatic; a mysterious denizen...Inside the Issue: Directing
Think Like A Photographer: Generation Wealth’s Lauren Greenfield Shares How Still Techniques Make Better Movies
The biggest change I experienced when I went from making pictures to making films was the sense of an arc—of creating a story over time, and...Inside the Issue: How To
How They Did It: Casting Unknowns Was Key to Finding the Laughs and Lived-In Feel of Bo Burnham’s Eighth Grade
Before I directed my first film, Eighth Grade, I had heard that 90 percent of directing is casting. I’m sure there are other directors who weigh...2