All posts by Carlos Aguilar
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Battle Wounds: Chloé Zhao on Fictionalizing Brady Jandreau’s Story for The Rider
Gravely injured by the very act that elates him, a cowboy in South Dakota is adrift in the vastness of his sorrowful... -
Ghost Writing: Arnaud Desplechin on Ismael’s Ghosts‘ Film-Within-a-Film, His Director’s Cut, and His Fear of Rehearsals
French director Arnaud Desplechin’s charmingly self-referential body of work is an ode to the beautiful and often regrettable mishaps of youth, and how they... -
Beauty and the Dogs: How Tunisian Director Kaouther Ben Hania Made a Feminist Horror Film in Nine Shots
Pairing a universally resonant quest for social justice with cinematic boundary-pushing, Tunisian director Kaouther Ben Hania’s Beauty and the Dogs is an unmissable feature... -
Pitch Perfect: Bavo Defurne on Directing Isabelle Huppert and Songwriting for Souvenir
An elegant ode to fading dreams and the possibility of second chances, director Bavo Defurne’s sophomore feature Souvenir channels Eurovision glamour into... -
2018 Independent Spirit Awards: Ten Moviemakers Share the Lessons They Learned While Making Their Nominated Films
Outside of the dozen or so studio releases that capture the attention of major awards voting blocs and, in turn, moviegoers, few other... -
Festival Wrap: Indie Memphis 2017 Celebrates 20 Years of Flavorful Cinema
From the moment you arrive at the airport in Memphis, Tennessee, Elvis Presley follows you around as an omnipresent figure. Indeed, the... -
Fighting Words: Samuel Maoz’s Foxtrot Portrays Grief in Strictly Visual Terms
With his first feature Lebanon and his latest Foxtrot, Israeli auteur Samuel Maoz—a former tank gunner turned Golden Lion-winner—crafts sensorial cinema about trauma.... -
Five Questions About An Oscar-Nominated Short: Jakob Schuh and Jan Lachauer’s “Revolting Rhymes”
Animated adaptations of British author Roald Dahl’s children’s fiction include two highly regarded works: Wes Anderson’s Fantastic Mr. Fox and Henry Selick’s... -
Feat Of Clay: Aardman Animation Legend Nick Park on Stop-Motion in the 21st Century, and Cavemen Soccer in Early Man
Historical revisionism meets Aardman’s signature clay animation for a comedy about cavemen playing soccer in the beloved studio’s newest stop-motion adventure, Early... -
Stay Sad: Babis Makridis on Writing Pity With Oscar-Nominated Efthymis Filippou, Why There’s No “Greek Wave”
Drastic measures taken to attain a dangerous objective are a defining element in both of Babis Makridis’ feature-length auteur productions. For his...
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Inside the Issue: Acting
Flash Forward: Grace Van Patten Takes a Leap into the Unknown in David Robert Mitchell’s Under the Silver Lake
Many actors will tell you that when you read a great script, you just know. But for Grace Van Patten, it was actually not knowing that...1Inside the Issue: Directing
Success in Succession: Matteo Garrone Shot Dogman Entirely in Sequence to Put Viewers in His Character’s Shoes
I wrote the script for my new film, Dogman, 12 years ago, and during those years I changed it many times, arriving at six or seven...Inside the Issue: How To
Journalism Plus: How Hail Satan?, The Brink, and Leaving Neverland Blend Truth-Seeking With Cinematic Storytelling
“Journalism Plus” is how Academy Award-winning moviemaker Laura Poitras (Citizenfour) characterizes making documentaries. If you’re a documentarian, you may not have a degree or credentials in...8