Channel 101 really helped us with a lot of things, because knowing how to tell a story in five minutes is a good thing to figure out how to do, to just be as concise as possible. Once you get to features, the edit gets so much harder because it’s inherently harder to tell a longer story and know what works, and a change at minute 17 can affect a moment at minute 54. I don’t understand how you can be a director and not be in every frame of the edit. It is so important for timing, and as Steve Martin said, “Comedy is ti-ti-ti-ti-ti-ti-timing.” If you’re not in control of that, you’re not in control of the joke.
Wearing a prosthetic nose in George Miller's Furiosa: A Mad Max Saga helped Chris Hemsworth…
Spaceballs is one of Mel Brooks' wildest movies. Here are 12 behind the scenes stories…
These stars started out in horror movies, some of them quite low budget. Things are…
Did you miss some of the most enthralling and captivating true crime docuseries on Netflix?…
The Atlanta Film Festival + Creative Conference has announced its 2024 award winners, and they…
The funniest comedies we’ve ever seen include satire, deception, kung-fu, “hair gel,” and morons. Also:…