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Wondering why Adam Leon's film Italian Studies is called Italian Studies? So is star Vanessa Kirby. Director Adam Leon explains…

"Tennis is having a little bit of a moment," says Rex Miller, co-director of CNN Films and HBO Max's new…

Natalia Leite's primer for making your mark—and a living—as an indie moviemaker continues with a map to finding feature funding.

The bold doc moviemakers behind The Brink, Hail Satan? and Leaving Neverland share their secrets to courting, and recording, controversy.

The key to directing Marcello Fonte's Cannes award-winning lead performance in Dogman was shooting in sequence, says writer-director Matteo Garrone.

It isn’t a coincidence that the 5th YoFiFest ran parallel to the city of Yonkers' recent burst of artistic and…

With a versatile arsenal of vintage lenses, In the Fade director Fatih Akin managed to create a Super 16mm aesthetic…

It's time now more than ever to turn "diversity" from buzzword to reality. Here, moviemaker Yvonne Huff Lee maps out…

The Square director Ruben Östlund tells us about how he makes even the most deranged of situations ring true, his…

Moviemaker Sean Baker edits his own (brilliant) films—like the 2017 Cannes hit The Florida Project. Here, he argues that each…

Co-directors of The Lovers and the Despot, Ross Adam and Robert Cannan, discuss humanizing Kim Jong-il in their doc about…

In the spirit of Werner Herzog’s exploratory futurism, here are three things his doc Lo and Behold can teach moviemakers…

Tobias Lindholm is having a very good year, and his hot streak continues with tomorrow’s national release of The Hunt.

Our inaugural choice for Editor’s Weekend Pick is Tobias Lindholm’s A Hijacking. MovieMaker’s Weekend Pick is a window on our…