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Kino Lorber
Summer Reading Recommendations from Sean Durkin, Eugene Kotlyarenko, Bing Liu and More
By
MM Staff
Mixed Media:
Award-Winning
Touch Me Not
Explores Notions of Intimacy Through a Variety of Boundary-Pushing Methods
By
Ryan Coleman
Foreign Contenders:
John Trengove on Surviving the Controversy Surrounding South Africa’s
The Wound
By
Carlos Aguilar
"My Films are Free:"
Filipino Master Lav Diaz on His Four-Hour Latest,
The Woman Who Left
By
Carlos Aguilar
An Artist Archaeologist’s Palette:
Ghostly, Decaying Film Stock is Bill Morrison’s Raw Found-Footage Doc Material
By
Tomáš Miklica
Unspoken Invitation:
In Stéphane Brizé’s
A Woman’s Life
, The End of Innocence is Timeless
By
Carlos Aguilar
Bedouin Dreams:
Elite Zexer Talks Ancient Gender Bias in Israel’s Oscar Entry
Sand Storm
By
Carlos Aguilar
Losing Her Voice:
In Philippe Faucon’s Poignant
Fatima
, an Immigrant Faces Cultural Difference Even Within Family
By
Carlos Aguilar