All Articles
Summer reading recommendations from 14 moviemakers, critics and programmers. This supersized list will keep you busy from summer onward
Romanian writer-director Adina Pintilie’s Touch Me Not rests comfortably on the boundary between genres and tones that most works of…
John Trengove, director of The Wound, discusses facing controversy, directing actors in a foreign language, and why casting Xhosa men…
The Woman Who Left, which earned Lav Diaz the Golden Lion at last year’s Venice Film Festival, is, at nearly…
Dawson City: Frozen Time director Bill Morrison constructs elegies to the past with decades-old found footage. Here he talks his…
Director Stéphane Brizé discusses his approach to depicting the passage of time and blending contemporary and classical filmmaking styles in…
In Elite Zexer’s debut feature, Sand Storm, the generational effects of ancient gender bias in an Israeli Bedouin community are…
In Philippe Faucon’s Fatima, which won the César Award for Best Picture earlier this year, the human need for expression…