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Moviemaking has been taught almost as long as it’s been around. The 1890s saw the birth of the medium, and

You’d be hard-pressed to find 140 consecutive seconds of video under more pressure than these, in the latest trailer for

Exactly half of the trailer for Trey Edward Shults’ new thriller It Comes at Night consists of an eerie walk

The trailer for Olivier Assayas’ Personal Shopper is all about acceleration. And for good reason: When a film’s starting point

In sharp contrast with the film’s title, the trailer for Kris Avedisian’s Donald Cried features a marked profusion of smiling.

The cult-y keynote may soon surpass both the iPod and the self-serious turtleneck as the most lasting contribution Steve Jobs

The indie moviemaker’s mindset can be almost masochistic in its privation; it lives and dies by that ringmaster’s mantra “the

“We hated each other,” says Danish actor Johan Phlip “Pilou” Asbæk of director Tobias Lindholm. Why? “Because he was a

“I dream of having that ’70s voice. I just think it’s sexy,” Lola Kirke sighed, toward the end of our

Is Noah Baumbach the manic moviemaking factory his filmography suggests? Mistress America, a modern screwball comedy about a college freshman (Lola

Stop me if you’ve heard this one: A recent film school graduate enters the industry with wide eyes, big dreams

Heaven Knows What has texture. You practically feel the coarse damp of rainy-pavement residue scrape between your fingertips as you

Born and raised in Littleton, CO, 26-year-old Melissa Benoist is best known for her role as Marley-Rose on the song-and-dance

You know J.K. Simmons. Even if you don’t know the name, you probably know the face, and you definitely know

This week’s Crowdfunder Pick is An American in Texas, a dramatic exploration of youthful rebellion from Texas native Anthony Pedone.

Terence Winter is no stranger to wolves. With writing credits on HBO series The Sopranos and Boardwalk Empire (for which he is creator and

MovieMaker‘s Crowdfunder Pick of the Week spotlights painter-come-indie filmmaker Patrick Chapman’s second feature, ToY, which follows the entanglement of the