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Tetris feels more like an ’80s buddy-cop movie than a typical video game story, and director Jon S. Baird very […]
Christopher Burke’s SXSW documentary No Ordinary Campaign is one of countless films to be delayed by Covid. But the pandemic […]
Jesus Revolution is a box office surprise, and a different kind of Christian film: It is unabashedly evangelistic, but aims […]
Kenya Barris’ You People originated from a 30-minute meeting with Jonah Hill that turned into two weeks of working together on a pitch, Barris says in a new interview.
“We tend to frame punishment in terms of prevention and correction,” says Brandon Cronenberg, director of the new film Infinity […]
Skinamarink director Kyle Edward Ball discusses the tragic loss of his friend and collaborator Josh Bookhalter during the making of the film.
Rian Johnson reveals how Poker Face, his new Peacock series starring Natasha Lyonne, plumbs his love for ’70s detective. We’re far from Glass Onion.
Kevin Williamson on writing COVID Jokes for Sick, the gay embrace of horror, and making Scream VI without Neve Campbell on board.
When You Finish Saving the World director Jesse Eisenberg and star Finn Wolfhard discuss the fake generation gap and poetic masturbation.
Rian Johnson on why Benoit Blanc isn’t necessarily the protagonist of Glass Onion, befriending Frank Oz, and the Darth Vader penis mystery.
Luca Guadagnino on Luca his new films Salvatore: Shoemaker of Dreams and Bones and All, starring Timothée Chalamet and Taylor Russell as cannibal lovers.
Taylor Russell says making Bones and All, co-starring Timothée Chalamet, “was not the easiest and most gentlest of processes.” It’s not a complaint.
Tulsa King showrunner Terence Winter wouldn’t usually do a Western. But a mob Western with Taylor Sheridan and starring Sylvester Stalone?
Halloween Ends director David Gordon Green says he wasn’t interested in a “final showdown-type brawl” between Laurie Strode and Michael Myers.
John Carpenter says he never imagined the Halloween franchise he created lasting this long, but praises Jamie Lee Curtis and the director of Halloween Ends.
Dead for a Dollar director Walter Hill says the film honors Western traditions, while addressing modern issues — but in 1897 terms.
See How They Run is inspired by The Mousetrap, an Agatha Christie play that she tried to keep from being made into a movie — via a tricky legal maneuver.
Most catfishing movies are from the perspective of the victim. But in I Love My Dad, James Morosini gives us the persective if the catfish — his own father.
13: The Musical director Tamra Davis has directed iconic films, and worked with everyone from Britney to Basquiat to Sandler to Chappelle to Cher.
In They/Them, John Logan uses a Blumhouse horror film to explore the devilish manipulation of the con job known as “gay conversion therapy”
After nine consecutive feature films together, Bill Murray will not appear in the latest film from Wes Anderson, Asteroid City.
Cooper Raiff wrote, directed and starred in Cha Cha Real Smooth, but shares the stage with collaborators like Dakota Johnson and DP Cristina Dunlap.
Fire Island filmmaker Andrew Ahn on adapting Pride and Prejudice, hesitation, visual influences, and the art of gay stuntwork
