All posts by James Napoli
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First Draft: Sure, Story Structure Guides Are Useful. But When Should We Be Using Them, and How?
In partnership with Creative Screenwriting and ScreenCraft, “First Draft” is a series on everything to do with screenwriting. “It’s not where you take things from—it’s... -
First Draft: Understanding the Promise of the Premise Through Nocturnal Animals, Groundhog Day and Black Mirror
In partnership with Creative Screenwriting and ScreenCraft, “First Draft” is a series on everything to do with screenwriting. Save the Cat practitioners will be familiar... -
First Draft: Living In the Past With Flashbacks and Monologues
In partnership with Creative Screenwriting and ScreenCraft, “First Draft” is a series on everything to do with screenwriting. Flashbacks Nothing provokes a more knee-jerk “don’t... -
First Draft: Knowing the Difference Between Fact and Truth When Adapting a True Story
In partnership with Creative Screenwriting and ScreenCraft, “First Draft” is a series on everything to do with screenwriting. Taking the 1994 film Quiz Show as a... -
First Draft: Know Your Place, Write Better Single Locations
In partnership with Creative Screenwriting and ScreenCraft, “First Draft” is a series on everything to do with screenwriting. Every screenplay should be set somewhere. Forget... -
First Draft: Hone Your Skills in Storytelling Efficiency With Groundhog Day
In partnership with Creative Screenwriting and ScreenCraft, “First Draft” is a series on everything to do with screenwriting. There are many screenplays available online, but... -
First Draft: When Is It OK For Your Script to Use On-the-Nose Dialogue?
In partnership with Creative Screenwriting and ScreenCraft, we’re publishing “First Draft,” a series on everything to do with screenwriting. Near the end of Richard Wenk’s... -
First Draft: Lessons in Screenplay Plants and Payoffs from Chinatown and The Orphanage
In partnership with Creative Screenwriting and ScreenCraft, “First Draft” is a series on everything to do with screenwriting. “Bad for glass,” says private eye Jake Gittes... -
First Draft: Is it Surprise, or is it Suspense?
In partnership with Creative Screenwriting and ScreenCraft, “First Draft” is a series on everything to do with screenwriting. I had an interesting experience while binge-watching...
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Inside the Issue: Acting
Sydney on the Map: To Land Breakout Roles, Sydney Sweeney Draws Her Own Maps of the Characters She Inhabits
A reverent initiate of a patriarchal regime; a disturbed young psychiatric hospital ward; a sexually questioning teen with a flair for the dramatic; a mysterious denizen...1Inside the Issue: Directing
Think Like A Photographer: Generation Wealth’s Lauren Greenfield Shares How Still Techniques Make Better Movies
The biggest change I experienced when I went from making pictures to making films was the sense of an arc—of creating a story over time, and...Inside the Issue: How To
How They Did It: Casting Unknowns Was Key to Finding the Laughs and Lived-In Feel of Bo Burnham’s Eighth Grade
Before I directed my first film, Eighth Grade, I had heard that 90 percent of directing is casting. I’m sure there are other directors who weigh...2