Michael Haneke’s long awaited return after his gorgeous Amour is Happy End, which will take him and his audiences back to one of his favorite cinematic preoccupations: the ruling class. In what Kneedler calls a target practice that has “never felt so satisfying”, Haneke places his hairs upon Isabelle Huppert, Jean-Louis Trintignant, Mathieu Kassovitz, and Toby Jones, with one of the most harrowing performances of a Sia track on film.
A scene from Michael Haneke’s Happy End. Image courtesy of AFI Fest
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