Whiplash

October 10, 2018

Moonshot Moviemaking: To Cut Outside the Box, Live an Outside-the-Edit-Bay Life and Treasure All Your Footage

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August 11, 2017

Under Pressure: With Her Bitingly Excellent Horror-Comedy Bitch, Filmmaker Marianna Palka Wages a War Against Time

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April 6, 2017

First Draft: Top Moviemakers Share The Worst Notes They Ever Received

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November 14, 2016

Something to Believe In: Bleed For This’ Ben Younger, Miles Teller and Aaron Eckhart Will Their Way to Greatness

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July 5, 2016

First Draft: What’s Missing From Your Screenplay? Stakes

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April 19, 2016

A Script Is No Longer Enough: Why First-Time Feature Directors Must Make a Proof-of-Concept

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November 17, 2015

Cut to: The Finish Line

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October 9, 2015

Divide and Conquer: Damien Chazelle on Why You Should Make a Short First

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March 17, 2015

Seymour: An Introduction: Ethan Hawke and Seymour Bernstein Create the Opposite of Whiplash

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January 12, 2015

Best of 2014: 10 Stories from the Back Row

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January 7, 2015

Best of 2014: Top Five Sophomore Features of 2014

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January 6, 2015

Feast for the Eyes Special Edition: Top Five Food Moments in 2014 Films

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October 20, 2014

Cinema Law: Using a Song Title as Your Movie Title

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October 10, 2014

Flash Forward: An Interview with Melissa Benoist of Whiplash

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October 9, 2014

Bing, Bang, Boom: an Interview with J.K. Simmons

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by Jeff Meyers
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January 23, 2014

Park City 2014: Sundance Film Festival Diary, Entry Two
by Jeff Meyers

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by Jeff Meyers
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January 20, 2014

Park City 2014: Sundance Film Festival Diary, Entry One
by Jeff Meyers

By