All posts tagged "We Make Movies (Better)"
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We Make Movies (Better): Inside the Distributor’s Mind with Precious Hilton
Securing distribution is that final nail in the construction project of making a movie—but it’s so hard to tell what exactly goes... -
We Make Movies (Better): iZotope RX 3 Turns Picture Editors into Audio Editors
We Make Movies’ Sam Mestman reviews the iZotope RX 3 for this week’s DIY Monday blog post. Okay, so full disclosure here:... -
We Make Movies (Better): How to Score, Indie Style
The We Make Movies (Better) blog returns for a new installment about another new music option for independent moviemakers, by Sapna Gandhi,... -
We Make Movies (Better): How I Learned to build an Avid Editing bay for under $1,500
MovieMaker is reintroducing the We Makes Movies (Better) blog from our friends over at We Make Movies! Look for their brilliant, practical... -
We Make Movies (Better): Final Cut Pro X/RED, Part 3
Finishing your RED movie using Final Cut Pro X, Redcine-X, and DaVinci Resolve In Parts 1 and 2, I showed you how... -
And the Lord Declared: Let there be really high stakes!
Attention all Screenwriters, Graphic Novelists, Novelists-Afraid-Of-Screenwriting, and Waiters, Bankers, Accountants, Teachers, Custodians, Firefighters, Cashiers and Parking Lot Attendants who Dream of Being... -
We Make Movies (Better): Final Cut Pro X/RED, Part 2
In Part 1, I dealt with how to properly prep your RED project for long-term feature film success in Final Cut Pro... -
Shooting The Kitchen: Keeping one location visually interesting
In early 2011, my longtime friend and collaborator, director Ishai Setton, told me about a (very) low-budget feature he was trying to... -
We Make Movies (Better): Final Cut Pro X/RED, Part 1
Part 01: Project Prep – How to properly bring in your RED footage and build your project in FCP X. It’s literally... -
We Make Movies (Better): Why you need to seriously consider REDucation-X
While I have fond memories of film school, I also remember immense feelings of frustration. Why did I have to spend all...
Summer 2018
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Year in MovieMaker
Inside the Issue: Acting
Sydney on the Map: To Land Breakout Roles, Sydney Sweeney Draws Her Own Maps of the Characters She Inhabits
A reverent initiate of a patriarchal regime; a disturbed young psychiatric hospital ward; a sexually questioning teen with a flair for the dramatic; a mysterious denizen...Inside the Issue: Directing
Think Like A Photographer: Generation Wealth’s Lauren Greenfield Shares How Still Techniques Make Better Movies
The biggest change I experienced when I went from making pictures to making films was the sense of an arc—of creating a story over time, and...Inside the Issue: How To
How They Did It: Casting Unknowns Was Key to Finding the Laughs and Lived-In Feel of Bo Burnham’s Eighth Grade
Before I directed my first film, Eighth Grade, I had heard that 90 percent of directing is casting. I’m sure there are other directors who weigh...2