MovieMaking
Digital Issues
Acting
Cinematography
Directing
Distribution
Editing
Education
Movie News
Producing
Production Services
Screenwriting
Other
Documentary
Film Festivals
Film Schools
Film Commissions
Lists
Film Festival Lists
Film School Lists
Location Lists
Subscribe
Email
Newsletter
Subscribe
Email
Newsletter
NFMLA
September 4, 2024
NFMLA Announces 2024 InFocus: Latinx & Hispanic Cinema Film Festival
By
Margeaux Sippell
August 21, 2024
A Prom Night Fantasy and a Unibrow Highlight NFMLA’s InFocus: Canadian Cinema Program
By
Margeaux Sippell
July 1, 2024
2024 Best of NFMLA Award Winners Include Gianfranco Fernández-Ruiz and Wake Up, Leonard
By
Margeaux Sippell
May 10, 2024
Superhuman Kombucha and a Secret Addiction Highlight NFMLA’s InFocus: Disabilities Program
By
Margeaux Sippell
April 25, 2024
An LSD-Spiked 1950s Dinner Party and a Horror Movie Loop Highlight NFMLA’s InFocus: Female Cinema Program
By
Margeaux Sippell
April 10, 2024
A Beloved Sex-Ed Teacher and a Secret Boyfriend Highlight NFMLA’s InFocus: Counter-Ageism Program
By
Margeaux Sippell
March 28, 2024
Elaine Del Valle and Traci Hays Found Their Passion for Filmmaking Through Life-Changing Experiences
By
Margeaux Sippell
March 15, 2024
A Fishmonger’s Sex Pact, a Psychopath, and Too Much Cologne Highlight NFMLA’s InFocus: Middle Eastern & Arab Cinema Program
By
Margeaux Sippell
February 26, 2024
Alpha-Male Hyperbole, Gender Fluidity, and Confronting White Privilege Highlight NFMLA’s DocuSlate Program
By
Margeaux Sippell
February 23, 2024
1940s Noir, an Exploitative Acting Gig, and Bad Dinner Parties Highlight NFMLA’s In Focus: Indigenous Cinema Program
By
Margeaux Sippell
September 18, 2023
NewFilmmakers Los Angeles Sets Lineup for InFocus: Latinx & Hispanic Cinema Film Festival
By
Margeaux Sippell
August 18, 2023
‘Good Filipino Kids,’ Lunchtime Guilt and a Goldfish Story Highlight NFMLA’s In Focus: Asian Cinema Program
By
MM Writers
August 8, 2023
In ‘True Story: God Tells Bad Jokes,’ Matthew Law Works Toward Destigmatizing Therapy
By
Margeaux Sippell
August 8, 2023
‘June 22nd’ Is an Homage to Aimless High School Nostalgia
By
Margeaux Sippell
July 20, 2023
Rachel Deutsch’s ‘Until I Met You’ Exposes the Fickle Fantasy of Our Social Media Personas
By
Margeaux Sippell
July 18, 2023
In ‘The Bond’, Jahmil Eady Tells Her Mother’s Story of Being Pregnant and Incarcerated
By
Margeaux Sippell
July 12, 2023
In
Mother of Color
, an Aspiring Politician Is Played by a Real-Life Candidate
By
Tim Molloy
July 10, 2023
In ‘Leaving the Factory,’ Alessia Cruci Tells a 1910-Set Story That Still Resonates
By
Tim Molloy
July 10, 2023
In ‘Kid Ugly’ by Jazmin Aguilar, a Notorious Outlaw Meets an Aspiring Sidekick
By
Tim Molloy
June 28, 2023
‘How to Hack Birth Control’ by Sassy Mohen Mixes Jokes and Advice With TikTok Aesthetics
By
Tim Molloy
June 28, 2023
In ‘Essentials’ by Allison Torem, Two Generations Connect Through Small Talk
By
Tim Molloy
June 26, 2023
‘¡NAILS!’ by Eliana Pipes Unveils a Quinceañera Crush — and Curse?
By
Tim Molloy
January 9, 2023
NFMLA Celebrates Rising Filmmakers With Stories of Love and Deletion
By
Yazmin Rodriguez
September 14, 2022
NFMLA’s 2022 InFocus: Latinx and Hispanic Film Festival Lineup Includes ‘Pool Boy’ and ‘Bertie the Brilliant’
By
Margeaux Sippell
Load More