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Our Father, the Devil producer and colorist Joseph Mastantuono on how Blackmagic Design's Davinci Resolve software made post production faster
The Nude features a female nude model working in a completely exposed state, making both the image quality and the…
For our series “What’s in Your Kit?,” we ask a range of working cinematographers to share the gear they can’t
American Gothic was the first film for cinematographer McCracken, who’s spent most of her career as a still photographer.
DP Pietro Villani found himself in a tricky situation when shooting Leila Djansi's Like Cotton Twines on location in West…
This year at NAB, “immersive experiences” took center stage. It was impossible to walk past a camera demo without overhearing…
MovieMaker's Indie-Friendly Business List. This year’s list takes to the digital frontiers of efficient independent moviemaking.