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Shooting Porto on film rather than digital was essential because film has a way of distancing images from the present,…
The MovieMaker staff was shocked and saddened to hear about the untimely passing of actor Anton Yelchin on Sunday, June…
For our Spring 2016 issue's cover story on Green Room, we spoke with the film's trio of young stars—Anton Yelchin,…
Saulnier had been on the festival circuit for Blue Ruin for nearly a year. Green Room was an idea he'd…
Ask distributors, and you’ll get all sorts of answers—including at least one of these catchphrases about the horror distribution landscape.
Today, Joe Dante, director of horror classics like Gremlins, Piranha and The Howling, dredges up his deepest cinematic fears. Dante's…