All posts tagged "Anton Yelchin"
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Eye Piece: Porto Used the “Lightest, Most Liberating” Film Cameras to Shoot Its Handheld and Long-Lens Scenes
Porto is a love letter to the timelessness of great cinema. Director Gabe Klinger is a scholar of cinema history, and he... -
“Making Sense of Something That is Beyond Us:” Anton Yelchin’s Spring 2016 Interview
The MovieMaker staff was shocked and saddened to hear about the untimely passing of actor Anton Yelchin on Sunday, June 19. A... -
Green Room Outtakes: Interviews with Anton Yelchin, Alia Shawkat and Imogen Poots
In Jeremy Saulnier’s Green Room, a punk band dubbed The Ain’t Rights (played by actors Anton Yelchin, Alia Shawkat, Joe Cole and... -
Back Against the Wall: Jeremy Saulnier’s Green Room Lands like a Punch to the Gut
Is there a more overused word in film journalism than “visceral?” The adjective is applied and misapplied with such frequency that it... -
Releasing Your Demons: We Asked Some Pros to Discuss the Nature of the Horror Distribution Beast
Should you release your horror film in theaters before it hits video-on-demand? Or on VOD before theaters? Or do it day-and-date, i.e.... -
The Scariest Scene of All Time: Director Joe Dante
For MovieMaker‘s 2016 Guide to Making Horror Movies special edition, we set out to identify what makes some of the scariest scenes...
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Inside the Issue: Acting
Flash Forward: Grace Van Patten Takes a Leap into the Unknown in David Robert Mitchell’s Under the Silver Lake
Many actors will tell you that when you read a great script, you just know. But for Grace Van Patten, it was actually not knowing that...1Inside the Issue: Directing
Success in Succession: Matteo Garrone Shot Dogman Entirely in Sequence to Put Viewers in His Character’s Shoes
I wrote the script for my new film, Dogman, 12 years ago, and during those years I changed it many times, arriving at six or seven...Inside the Issue: How To
Journalism Plus: How Hail Satan?, The Brink, and Leaving Neverland Blend Truth-Seeking With Cinematic Storytelling
“Journalism Plus” is how Academy Award-winning moviemaker Laura Poitras (Citizenfour) characterizes making documentaries. If you’re a documentarian, you may not have a degree or credentials in...8