How The Fabric Store Weaves Authenticity Into Films Like Albert and Claude

Alina Willemin, producer of the 1560s-set independent film Albert and Claude, knew the production would have to be smart with money. But she also knew it needed absolutely authentic clothes. She found them thanks to, a Los Angeles-based company as passionate about fabric as Willemin is about film.

Albert and Claude is a historical dark comedy that follows Claude, part of a group of French Huguenot settlers that has recently arrived in the New World. When he’s abandoned by the other settlers, he searches for the Fountain of Youth with the expedition’s leader, Albert — a man Claude has killed.

The actors face the challenges of embodying new arrivals in a strange land hundreds of years ago. Willemin wanted to make sure they didn’t also need to worry about their clothes feeling uncomfortable or false.

How The Fabric Store Weaves Authenticity Into Films Like Albert and Claude

The wardrobe created with the help of The for Albert and Claude is historically accurate, but comfortable in the film’s Florida setting.

“This is the first time that we ever hand-crafted wardrobe and it’s atypical,” said Alina Willemin, whose husband Alex Willemin wrote and directed the film. “But what they’re wearing says so much about them, who they are, and where they are in life and in society.”

She added: “We worked really hard to find a source that would get us nice, high-quality linen, like what you might have in the 1560s. It needed to be workable, and true to the period.”

Oksana Karpushin, a member of the team, loves how linens can connect people across hundreds of years.

“We just don’t mess with what nature built,” she said. “It’s been found in pharaohs’ tombs, and traveled with human culture through Europe and the Americas.”

She added: “I believe it’s an internal component knowing that what you have has belonged in human history, and is interwoven into the fibers of your cultures.”, founded in 1998, has an office in West Hollywood and warehouse in Downtown Los Angeles, and works with far-away productions like the Jacksonville, Florida-based Albert and Claude on everything from sewing help to fabric questions to wholesale supplies.

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How The Fabric Store Weaves Authenticity Into Films Like Albert and Claude

Albert and Claude director Alex Willemin poses with actors in flawless 1560s wardrobe created with the help of

It offers curated selections and detailed attention at a time when many fast-fashion chains place more emphasis on trendiness than a customer’s specific needs. As notes on its website, “Our linen is nothing short of addicting.”

The business’ employees — and customers — realize that seeing and touching certain fabrics can be as transportive as specific tastes and smells.

“It’s like a food that can pinpoint a precise place and time,” said Karpushin. “Because it’s a tactile product, it has the capacity to, kind of, space travel, for lack of a fancier way to say it.”

Wardrobe not only elevated the appearance of the actors in Albert and Claude, but also their performances.

“With so many period pieces, especially low-budget period pieces, it feels like the actors are wearing costumes,” Willemin said. “So much of their characters are worn on their sleeves.”

The Fabric Store created costumes for Albert and Claude

“We just don’t mess with what nature built,” says’s Oksana Karpushin on the quest for exactly the right fabrics. worked closely with Willemin to determine the production’s needs, and make sure the costumes were as realistic and unfussy as possible.

“It was important to Alex and me that the clothing look and feel authentic,” Willemin said. “That it would behave the way fabrics would in the period, especially for an outdoor shoot in the Florida heat. These linens helped us achieve exactly that.”

It’s rare for such an independent, tightly budgeted project to have such period-accurate costumes, and Willemin was thrilled with the boost that brought to the overall feel of the story.

“This was my first experience as a producer having hand-made costumes created,” she said. “It’s something I would absolutely do again.”

For authentic textiles, consult with Oksana Karpushin and online, or call 1-866-620-2008.