Handling the cinematography in the horror genre is probably the must complete experience any director of photography could have. There is no other genre that gives you the opportunity to flirt with darkness and colors at the same time, to visually trap someone in an empty desert or a closet with the same cinematographic power, or to enhance the beauty of a house and than transform it into a nightmare again at the same time.
The language of cinematography has changed and will keep changing forever, and you don’t do a remake to make something better; you do it to bring a fresh way of telling the story to a new audience. For those people who remember the original, you bring back a great story with a new vision and colors. My first remake was Alexandre Aja’sThe Hills Have Eyes. When we started, I hadn’t seen the original, and Alexandre asked me not to. I still think that was a good choice; the visual aspects of our version are totally different. Moving up to my experience on Annabelle: Creation, I could have done anything I wanted since it was a prequel, but that would have been a mistake. I believe the Conjuring world, while each film has photographic differences, should have an overall approach that makes the audience feel the same sort of entity.
The funniest comedies we’ve ever seen include satire, deception, kung-fu, “hair gel,” and morons. Also:…
Without Kentucky Fried Movie, we might never have gotten Animal House, Airplane!, or the many…
Not every Saturday Night Live sketch stands the test of time. Here are some SNL sketches from the past…
Eddie Murphy once answered a question on Marc Maron's WTF that dogged him early in his…
Here are the best SNL characters in the nearly 50 years of Saturday Night Live…
These stars of the 1970s are also stars of the 2020s.