|
|
| Preston Tylk |
Preston Tylk
Writer/Director Jon Bokenkamp demonstrates a keen
eye for the nature of desire and regret in his feature film debut, Preston
Tylk. Taut, richly subtextual, and slyly addictive, the film
is an effective cautionary tale of love ignored. Shot as a low-budget
indie, Bokenkamp has avoided the usual pitfalls of first-time directors
by shooting a tight script with unexpected performances. Starring
Luke Wilson and Norman Reedus, Bokenkamp’s film primes the audience
for a chase of classical proportions as one man’s wife is murdered
and both her husband and lover seek retribution from each other.
Dennis Farina’s role, as the seedy private detective who straddles
the thin line of the law, is possibly the most forceful and persuasive
work this actor has delivered since his salad days on "Crime
Story" showcasing a range of talent that is sure to add to
his already high career profile. Bokenkamp has also enlisted fellow
Writer/Director/Composer Kurt Kuenne (Scrapbook) to contribute
an eerie score to this evocative story of hunter and prey. Contact: Next
Generation (1.310.450.5887).
|
|
| Scrapbook |
Scrapbook
Kurt Kuenne’s own award-winning directorial feature
film debut is as powerful as fellow USC alum Bokenkamp’s, but
where Bokenkamp uses the thriller genre to carry out his theme
of redemption, Kuenne instead chooses a coming-of-age story about
the relationship between two brothers. While the younger man has
grown up in the shadow of his older brother and now must lash out
for some semblance of individuality, the other must deal with
indiscretions and disregard for his younger brother’s emotional
pain. The resolution leads to a crushing and vengeful final act.
Justin Urich and Eric Balfour are the two brothers, impressively
performing the difficult swings between selfishness and brotherly
protectiveness, with an emotional maturity unexpected in such
young actors. Kuenne has created a complex and delicate study of
the angst of youth; so powerful is his message that Producer Roni
Eguia has decided to screen the film as part of an open forum intended
to give youths and members of the film industry a chance to face
the realities of youth violence. The event is sure to be an eye-opener
for distributors who attend, as it will give them a chance to discover
the power of this story on screen, and just maybe incite them to
do more than pay lip service to empowering America’s youth. Contact: Piano
Player Productions (1.818. 567. 4950).
|
|
| Santitos |
Santitos
This may be Director Alejandro Springall’s feature
film debut, but his wealth of experience, both as a documentary
filmmaker and a producer (most recently of Cronos, from
Mexico has primed him well for this wildly humorous and beautifully
executed story. Moving effortlessly from saints who appear in oven
doors to a rapturous collision of the mystical and mundane, Santitos is
the story of a young widow who has recently suffered the loss of
her only child-a daughter who never woke up from a tonsil operation.
Haunted by not being allowed to see her daughter’s dead body, Esperanza
is convinced by a vision of St. Jude that the child hasn’t really
died after all. Her journey of discovery (and also, ultimately,
of sexuality) provides a litany of experiences at once defining,
precarious and bizarre. Springall has fashioned a rare, whimsical
tone in this story that promises redemption in return for faith,
and in this milieu-home to melodrama and fervent religion-we find
the perfect pitch for a gentle parody of naive superstition. Festival
audiences have roared with delight at this boldly sexual story
, and a recent re-editing after its Sundance premiere has left
the film a lustrous pearl amid a sea of indie entries. Contact: Goldheart
Pictures (1.212.924.7270).
|
|
| Love From Ground Zero |
Love From Ground Zero
This exceptional feature film debut from Writer/Director
Stephen Grynberg has blended unexpected performances, striking
cinematography and a haunting musical score with its compelling
story of life and loss. As Love From Ground Zero unfolds,
three strangers become friends during the course of a cross-country
drive in search of the final resting place for another friend.
Grynberg has crafted an anomaly on the independent film circuit-a
thoughtful and mature dramatic examination of the ties that bind.
It’s a sexy, honest and compellingly straightforward tale. His
work with actors Simon Baker-Denny, Pruitt Taylor Vince and Jacqueline
McKenzie is unparalleled among new filmmakers, as he subtlety allows
the cast to quietly urge the story forward. When Eric (Baker-Denny)
arrives at the New York home of his terminally ill college roommate,
Henry, he instead finds the wake already in progress. Henry’s last
wishes were to have his ashes spread in Montana, the only place
he felt truly free, and that responsibility now falls to his recent
girlfriend, Samantha (McKenzie). She convinces both Eric and Henry’s
other best friend, Walter, to make the journey. While the three
drive west, they each try to come to grips with their own sense
of who they are and what they may have meant to Henry. Grynberg
is a thoughtful and pensive storyteller who captures a rich and
varied tapestry in this surprisingly moving work. Contact: Sandbox
Films (1.323.463.0771). MM
Share:
