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5 Things Christopher Nolan Finds Fascinating, Per The Nolan Variations
Christopher Nolan The Nolan Variations includes the amusing detail that the Inception and Dark Knight director...
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The Climb Director Michael Covino Planned Meticulously — and Rented A Lot of Apple Boxes
Michael Covino is the co-writer and co-star (alongside Kyle Marvin), and director of The Climb. Covino...
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Brea Grant on the Urban Legend That Inspired 12-Hour-Shift
12 Hour Shift writer-director Brea Grant set her horror comedy in the late ’90s because she...
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Comrades! Enjoy This Hideously Great Sputnik Concept Art
We think the ideal way to see Sputnik is completely cold — knowing nothing except that...
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Gina Prince-Bythewood to Direct Viola Davis in The Woman King, the Story of a Female African General
Gina Prince-Bythewood, fresh from the Charlize Theron Netflix action film The Old Guard, will direct TriStar...
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How I Fought a Life-or-Death Battle for False Colors, the ‘Budget Bourne’ of My Dreams
I think of my “ultra-indie” action adventure film False Colors as a kind of “budget Bourne,”...
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The Rental Trailer: Dave Franco Directorial Debut Sends Sends Alison Brie and Dan Stevens on a Chilly Couple’s Retreat
The new trailer for The Rental, the terrific directorial debut for Dave Franco, finds a couple...
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Da 5 Bloods and Cross-Generational Trauma (Low Key Podcast)
Today’s episode of the Low Key podcast covers the Spike Lee film Da 5 Bloods, which follows...
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Skin Deep: The Battle Over Morgellons Director Pi Ware on Documentary vs. Reality TV
Pi Ware is the director of the new documentary Skin Deep: The Battle Over Morgellons, about...
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Lost Transmissions Director Katharine O’Brien on the Film’s Real Inspiration
Simon Pegg and Juno Temple star in Lost Transmissions, written by Katharine O’Brien, who is also...
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The Last Black Man in San Francisco: Joe Talbot Injects His Changing Home City’s History Into His Feature Debut
Thora Birch shows up for a second at the end of The Last Black Man in...
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How Tuscaloosa Director Philip Harder Turned Minnesota Into 1970s Alabama
Tuscaloosa director Philip Harder explains in this essay how he shot Tuscaloosa, a drama set in...
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Ari Aster on Building the Hereditary Haunted Houses From Scratch
Ari Aster, director of the acclaimed Midsommar and Hereditary, talks in this essay about one of...
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Edward Norton: No One Works Better With Composers Than Wes Anderson
Edward Norton says most film scores are introduced to the moviemaking process much too late. The...
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Kasi Lemmons: Harriet Is ‘a Savior Movie and Not a Slavery Movie’
Kasi Lemmons didn’t want her new film Harriet to focus on the physical violence of slavery....
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7 Righteous Gemstones: Coen Brothers Parallels for Truly Devoted Fans
Danny McBride’s The Righteous Gemstones feels almost as indebted to the Coen Brothers as it does to...
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How The Riot Act Director Devon Parks Recreate Life in Another Century
Nearly 120 years ago, the zestful border town of Van Buren, Arkansas found its streets lined...
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How to Develop the Story Beats in Your Screenplay
Before we discuss how to develop story beats in a screenplay, let’s start with a cold...
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Vita & Virginia: Director Chanya Button Discusses Making Bold Visual and Story Choices In Her Exploration of Queer Desire
In 1924, while crossing the Tre Croci pass in the Dolomite Mountains of Northern Italy, the...
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NewFilmmakers LA: Maha Al Saati, Mary Lyn Chambers, Ludovica Isidori, David Plasencia, and More
The latest installment of our series of NewFilmmakers LA interviews features conversations about movies directed by the above...
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Cold Piece of Work: Richard Linklater Braves Greenland Hurricanes for Where’d You Go, Bernadette
Richard Linklater’s Where’d You Go, Bernadette opens with the answer to its titular question. In an...
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