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In Thelma we wanted to show a world distorted and heightened.
Murder on the Orient Express DP Haris Zambarloukos talks about continuing to develop his arresting visual style with longtime collaborator…
Nine horror cinematographers share the secrets to their style, and discuss their latest films and what it takes to specialize…
Today’s technology offers even the no-budget moviemaker an array of affordable camera options to rival the images screened in multiplexes…
To shoot Woodshock's characters' relationship to nature as a jarring experience, the film's cinematographer Peter Flinckenberg did all of his…
The Netflix series Fire Chasers, for which I served as cinematographer, was a dangerous and at times absolutely terrifying environment…
The following excerpt, from a chapter entitled “Me, a cameraman,” encourages new moviemakers to venture beyond their cameras' automatic functions.
Filmmakers shouldn't be married to "shutter speed=one by twice the frame rate" formula. When employed carefully, differing shutter speeds can…
Watch this video for an exhaustively detailed look at the lenses, filters and coloring that serve cinematographer Janusz Kaminski's distinct…
With Sofia Coppola's The Beguiled, an adaption of Thomas Cullinan's novel, we were going for a pastoral look, like a…