All posts by Tomáš Miklica
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Jóhann Jóhannsson: A Masterclass on the Collaboration and Reservation of an Award-Winning Score
With a repertoire of work on movies including Arrival, Sicario, mother! and The Theory of Everything, it’s clear Jóhann Jóhannsson is a composer who knows... -
An Artist Archaeologist’s Palette: Ghostly, Decaying Film Stock is Bill Morrison’s Raw Found-Footage Doc Material
As of 2016, the National Film Registry of the Library of Congress, which inducts 25 new titles each year “showcasing the range... -
Exiled, Then Exalted: Agnieszka Holland on Communist Censorship, the Holocaust, House of Cards and Spoor
She left Poland twice: first when she went to study at the Film and TV School of the Academy of Performing Arts... -
Luck of the Draw: What’s the Best, and Cheapest, Way to Figure Out If Your Film Works? Storyboarding
When storyboard artist Kurt van der Basch and director Tom Tykwer first met in 2012, the latter was already an established talent,...
Summer 2018
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25th Anniversary
Guide 2018
Summer 2017
Year in MovieMaker
Inside the Issue: Acting
Sydney on the Map: To Land Breakout Roles, Sydney Sweeney Draws Her Own Maps of the Characters She Inhabits
A reverent initiate of a patriarchal regime; a disturbed young psychiatric hospital ward; a sexually questioning teen with a flair for the dramatic; a mysterious denizen...Inside the Issue: Directing
Think Like A Photographer: Generation Wealth’s Lauren Greenfield Shares How Still Techniques Make Better Movies
The biggest change I experienced when I went from making pictures to making films was the sense of an arc—of creating a story over time, and...Inside the Issue: How To
How They Did It: Casting Unknowns Was Key to Finding the Laughs and Lived-In Feel of Bo Burnham’s Eighth Grade
Before I directed my first film, Eighth Grade, I had heard that 90 percent of directing is casting. I’m sure there are other directors who weigh...2