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The Taking director Alexandre O. Philippe examines the problematic history of Western cinema — but he doesn't want to cancel…
Behind Warwick Thornton's laid-back persona and dry sarcasm is an equally unmistakable anger—a rage that simmers beneath the rapturous visuals,…
“Life is nasty and brutish and short.” “Thomas Hobbes said that,” explains Scott Cooper, the director of possibly the most…
Knowing when a visual is appropriate is just as important as the description itself. Here are the dos and do…
For the moviemakers featured in our slate of content throughout March 2017, resourcefulness was the name of the game. Whether
John Ford's The Searchers effectively depicts romance while hardly showing any intimacy at all. This breakdown of the film's first…