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With a versatile arsenal of vintage lenses, In the Fade director Fatih Akin managed to create a Super 16mm aesthetic…
The Netflix series Fire Chasers, for which I served as cinematographer, was a dangerous and at times absolutely terrifying environment…
My film September Morning cost just north of $250,000. The truth of the matter is, though, I would have made…
There’s a hack that allows your film to boast the latest cameras, lenses, grip, lighting and sound gear. It’s called…
La La Land opens with a show-stopping number in which the stars don’t even participate. This takes place—where else—amidst a…
This year at NAB, “immersive experiences” took center stage. It was impossible to walk past a camera demo without overhearing…
What you need to know is that you should hire a DP who is a DP, not an AC, and…