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With Foxtrot, Israeli auteur Samuel Maoz—a former tank gunner turned Golden Lion-winner—crafts sensorial cinema about trauma.

With Under the Tree, Icelandic Hafsteinn Gunnar Sigurðsson has mastered the improbable formula to produce amalgamations of universality with specificity.

A visually economical war film, Martin Zandvliet’s Academy Award-nominated Land of Mine finds poetry in the spareness of the desert…

Previously known for his 2012 film No and 2015 film The Club, Pablo Larraín has sprung into the limelight this…

“Every day I was crying,” says director Felix Van Groeningen about his experience in production on The Broken Circle Breakdown,…