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Indian moviemaker Rima Das moved to Mumbai only to discover that for her, happiness and great art are found far…
Foreign Contenders: Rahmatou Keïta on Financing Niger’s The Wedding Ring Entirely with African Funds
The woman behind the The Wedding Ring, journalist-turned-moviemaker Rahmatou Keïta, tells us about Niger's first ever entry for the Best…
The Insult director Ziad Doueiri discusses his Hollywood influences, being shaped by war, and Beirut’s intrinsic sexiness.
John Trengove, director of The Wound, discusses facing controversy, directing actors in a foreign language, and why casting Xhosa men…
A visually economical war film, Martin Zandvliet’s Academy Award-nominated Land of Mine finds poetry in the spareness of the desert…
Shahab Hosseini's work with director Asghar Farhadi on his latest film, The Salesman, is in service of the heady themes…
Oscar-winning writer-director Asghar Faradi talks about giving clues for viewers without stating the obvious, milking suspense and what "Iranian film"…
MovieMaker speaks with director Maren Ade and star Sandra Hüller about shooting key sequences in their acclaimed dramedy Toni Erdmann.
Blood spilling takes on a more honorable connotation in South Korean Kim Jee-woon’s newest confection, The Age of Shadows—an honor-fueled…
Previously known for his 2012 film No and 2015 film The Club, Pablo Larraín has sprung into the limelight this…
Our series Foreign Contenders features a talk with Rusudan Glurjidze, whose House of Others is Georgia's entry for the Best…
Crossing the Line: Andrzej Wajda, Pioneer of the Personal and Political in Polish Cinema (1926—2016)
Andrzej Wajda, the powerhouse purveyor of Polish cinema with a celebrated knack for devastating depictions of war-torn Europe, passed away…
Gloria, Sebastián Lelio's feature about a spirited older woman determined to get the most out of life, raises questions about…
Every month, Interiors Journal dissects the floorplan of a film set to investigate the relationship between space and action. This