All posts tagged "ArcLight Presents Slamdance Cinema Club"

  • How They Did It: Creating the Showstopping "Living Mandala" Shot in Neptune With Composites

    One idea that was very important early on in our film Neptune was the creation of a living mandala. Though “mandala” is a Sanskrit word...

  • source link Quick Change Artist: Costume is the Key to Accessing and Discarding Character, Says the Star of Hunky Dory

    “Clothes make the man.” — Mark Twain When director Michael Curtis Johnson and I decided to make Hunky Dory, we knew I had to commit...

  • How They Did It: The Radical Sound Design of Driftwood, Shot Without a Sound Crew

    Close your eyes and concentrate on the sounds around you: the humming of the refrigerator, footsteps from the floor above, water running through the pipes...

  • source link The Weird, Grey Area: How to Find Tonal Balance in a Dramedy, by the Writer-Director of MAD

    “And that’s really the thing, can you make people emotional, make people feel something, maybe even have tears… and get a joke about doing crack...

  • Guerrilla in the Arboretum: The Covert Shooting of a Scene From Chemical Cut

    This is a recollection of a certain Thursday in May of 2014. The Chemical Cut crew and I, the DP, had a noon call time...

  • Perfection is Not a Real Goal: How Buddymoon Got Shot (in 10 Days and Without a Script)

    “Don’t let perfect be the enemy of good.” It sounds almost defeatist the first time you hear it, but this became our mantra throughout the...

  • follow site Fur Example: Director Dominic Rodriguez Confronts His Own Furry Fandom in Fursonas

    When I started working on the documentary feature Fursonas, I had no idea what I was getting into. Actually, I’m lying already—I had a good...

  • Slamdance 2016: Watch Interviews with Adam Rifkin, Penn and Teller from Director’s Cut

    Director’s Cut, Adam Rifkin and Penn Jillette’s warped comedy about obsession and moviemaking, opened the 22nd Slamdance Film Festival on Friday, January 22, 2016. In...

  • Fessenden on Festivals: Indie Horror’s Larry Fessenden Reflects on the Fests that Shaped His Career

    Ah, film festivals, the gateway to distribution for an independent film. When I was starting out in the late ’80s and early ’90s, there was...

  • click here Family, Farming and Fostering Trust: Director Morgan Schmidt-Feng on Making On Her Own

    On Her Own began as a project to satisfy my personal curiosity about farm life. Farming was a topic I first started hearing about in...