All Articles
One idea that was very important early on in our film Neptune was the creation of a living mandala. The…
When director Michael Curtis Johnson and I decided to make Hunky Dory, we knew I had to commit to becoming…
In the world of Paul Taylor's feature film, Driftwood, the characters do not speak, but move, gesture and act with…
Writer-director of MAD, Robert G. Putka, weighs in on the overwriting, self-editing, audience-testing and improvisation that comes with making a…
The crew of Chemical Cut and I, the DP, had a noon call time at the L.A. Arboretum. It was…
"Don’t let perfect be the enemy of good.” This became our mantra throughout the process of making our movie Buddymoon,…
When I started working on the documentary feature Fursonas, I had no idea what I was getting into.
Director’s Cut, Adam Rifkin and Penn Jillette’s warped comedy about obsession and moviemaking, opened the 22nd Slamdance Film Festival on
When Larry Fessenden was starting out in the late '80s and early '90s, there was not the same festival protocol…
On Her Own began as a project to satisfy my personal curiosity about farm life.
In his Slamdance-premiering feature, Huntington's Dance, director Chris Furbee captures an 18-year span of his family's fight against the neurological…
ArcLight Presents Slamdance Cinema Club, the recently minted collaboration between Arclight Cinemas in Hollywood and the Slamdance Film Festival, today…