Though it’s taken for granted that television has a big seat at the table in the...

Polarizing political rhetoric, culture wars, fiercely divided opinions about the moral fiber of the president, troops dying...

Director Alejandro Landes and I envisioned Monos as a subjective war fable. We wanted to create...

In Gustavo Mercado’s newest book, The Filmmaker’s Eye: The Language of the Lens, the award-winning independent...

For this edition of Indie Law, we asked readers to send us their burning legal questions...

Richard Linklater’s Where’d You Go, Bernadette opens with the answer to its titular question. In an...

The first time Quentin Tarantino and I connect, he offers me an apology. “I’m not trying...

American Graffiti, Jaws, Close Encounters of the Third Kind, Stand By Me, Mr. Holland’s Opus… even...

The week before production started on The Farewell—my sophomore feature about a young woman (Billi, played...

In Midsommar — my sophomore feature about a codependent couple whose doomed fate leads them to...

Michael Ragen’s equipment arsenal for The Art of Self-Defense shows that a DP’s best defense is a...