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Costume designer Deborah L. Scott’s Oscar nomination for Avatar: Fire and Ash reflects something larger than a single project: It
In Hamnet, costume designer Malgosia Turzanska didn’t treat the clothing as finished costumes. Instead, she built garments that could shift,
When Ruth E. Carter first read Ryan Coogler’s script for Sinners, the images came fully formed. The Oscar-winning costume designer
For Marty Supreme costume designer Miyako Bellizzi, outfitting the title character meant building a wardrobe that could withstand physical performance
Costume designer Kate Hawley still remembers the first time she read Guillermo del Toro’s script for Frankenstein. It wasn’t the