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Inspired storytelling, superior HDTV production values and prudent budgeting are essential elements in the competitive world of producing innovative programming—whether
Not every director likes to move the camera. Some simply can’t afford it. Go back and look at Kevin Smith’s
If you’re a regular user of After Effects or you do your compositing in other programs such as Combustion, Final
Web technology may be the great equalizer when it comes to promoting an indie film, but actually delivering your video
Many low-and no-budget directors shy away from period or fantasy films for a variety of good reasons, including tough locations,
Matt Power shows off his $75 homemade camera crane, which he built five years ago. One of the best motivators
When you reach the point where you run out of room to store your jumble of lighting instruments, tripods, cables
The sleek Eagle I in repose. For the money, this little dolly will give you the ride of your life.
At one time or another in the course of a moviemaker’s career he or she will no doubt stumble on,
Jack Watson’s Touch Vision Systems DIVISION PRO in repose. The program is organized ithe way a film editor thinks. You