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				When Ira Sachs’ new feature, Love is Strange, begins, the title feels somewhat ironic. In many ways, there could be…			
			 
		
	
	
				Director Tom Berninger had no initial conception of where his documentary on the National, Mistaken for Strangers, was going to…			
			 
		
	
	
				On the eve of Eternal Sunshine of the Spotless Mind's 10th anniversary, I revisited this old cinematic flame, confirming my…			
			 
		
	
	
				Gloria, Sebastián Lelio's feature about a spirited older woman determined to get the most out of life, raises questions about…			
			 
		
	
	
				MovieMaker's pick of this week's new releases is Abdellatif Kechiche's much-talked about three-hour epic, Blue is the Warmest Color (or,…			
			 
		
	
	
				12 Years a Slave Week continues with MovieMaker’s Editor’s Weekend Pick, in which Kelly Leow attempts to express the poignant,…			
			 
		
	
	
				This week’s Editor’s Weekend Pick is Shane Salerno’s documentary on the iconic, reclusive American novelist J. D. Salinger, aptly titled…			
			 
		
	
	
				Janus Film’s newly restored print brings Michelangelo Antonioni’s 1960 masterpiece of Italian cinema, L’avventura, to selected theaters in black-and-white 35mm.			
			
				It began in the late 1960s, and would last for about a decade—a cosmic shift in the landscape of horror			
			