Series
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Things I’ve Learned as a Moviemaker: Nicole Holofcener
If one common denominator of Nicole Holofcener’s films is her fumbling protagonists’ neurotic tendencies, her approach to moviemaking is a rejection of... -
Criterion Crash Course: Moviemaking Lessons from Criterion’s The Tree of Life
Whether you’re a moviemaker, critic, or devoted film collector, lovers of cinema can all agree: A Criterion Collection release is a stamp... -
First Draft: 15 Outside-the-Box Screenplays That Found Box Office Success
In partnership with Creative Screenwriting and ScreenCraft, “First Draft” is a series on everything to do with screenwriting. While pundits will testify to the notion... -
First Draft: Put Audiences in Your Characters’ Shoes With These Seven Ways to Elicit Empathy in Your Screenplay
In partnership with Creative Screenwriting and ScreenCraft, “First Draft” is a series on everything to do with screenwriting. How can screenwriters make audiences and readers... -
Eye Piece: DP Shabier Kirchner Lensed Skate Kitchen on Wheels, But Didn’t Skate Through His Demanding Shoot
As DP on Skate Kitchen—writer-director Crystal Moselle’s first narrative feature about an all-female skateboarding crew coming of age in New York City—one...
Guide 2019
Summer 2018
Spring 2018
25th Anniversary
Guide 2018
Year in MovieMaker
Inside the Issue: Acting
Sydney on the Map: To Land Breakout Roles, Sydney Sweeney Draws Her Own Maps of the Characters She Inhabits
A reverent initiate of a patriarchal regime; a disturbed young psychiatric hospital ward; a sexually questioning teen with a flair for the dramatic; a mysterious denizen...Inside the Issue: Directing
Think Like A Photographer: Generation Wealth’s Lauren Greenfield Shares How Still Techniques Make Better Movies
The biggest change I experienced when I went from making pictures to making films was the sense of an arc—of creating a story over time, and...Inside the Issue: How To
How They Did It: Casting Unknowns Was Key to Finding the Laughs and Lived-In Feel of Bo Burnham’s Eighth Grade
Before I directed my first film, Eighth Grade, I had heard that 90 percent of directing is casting. I’m sure there are other directors who weigh...2